Hereafter, thereafter (MLP / Friendship is Optimal one-shot)

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Prisha took a gamble on the future, expecting that she'd be unfrozen in a more advanced world. What she got instead was friendship and ponies.

This story can also be found on: [Ao3, FIMFiction]
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"Hereafter, thereafter"

Roadie

A plate full of blins and a cat nearby.
"Hereafter, thereafter"

Prisha woke up slowly. There was no alarm, just comfortably dim light and the softness of fresh percale sheets, and she spent a long while lingering there curled up on herself just because she could. Nothing hurt, nothing at all, and some distantly confused part of her noticed that she had all her teeth. That wasn't right at all, and so she finally sat up, grimacing to brace herself against pain that never arrived.

It was a hotel room, or close to one: beige walls with mahogany accents, a bed too large for the space, an armchair and a desk but nowhere for two people to have dinner, drawn curtains with sea-blue light filtering faintly through them. It could have been any of ten thousand places. A hundred thousand, maybe. Certainly no hospital, hospice, preparatory center. And Prisha was—

—maybe twenty, twenty-five. She was nude, but that didn't matter as she looked over a body she hadn't had in a long time. No, not even then: she had never had thighs like that. She had never had abs defined enough to grate coconut on them. She ran a thumb along her teeth, flexing the fingers just because she could do so without pain. All the teeth were there, even the molars that been removed when she was young the first time, but somehow they all fit every neatly even though she'd always had too many teeth. No stress-ground blunting of her canines—but the scar under her ribs on the left side was still there, and so was that stupid, tiny tattoo she'd kept wrapped around her right ring finger long after the ring was gone.

"Huh," she said, and she got out of bed. The only open door got her to the bathroom, most of it taken by a glass shower and all of it glossy marble and tile and a huge mirror. She sat on the toilet first, and with a long stupid pause she realized that those natural urges were not responding, or maybe not there at all. She flushed anyway, out of habit, and ignored the uneasy frisson creeping up her shoulders as she started the shower's hot water with just the same kind of twist-handle she had seen in too many places to count.

She hadn't had a proper shower—not one unassisted, not one standing—in a long time. There was soap, shampoo, conditioner—the tiny hotel kind, but unbranded and undetailed, just the words in capital typeface on white packaging. She didn't bother with them. All she wanted was the hot water, and she stood under it, turning sometimes, thinking, humming half-forgotten things, until she lost track of time. When she got out and dried herself she had to wrap her long hair in a towel to keep from dripping, but her fingers were smooth and unwrinkled.

She laid on the bed and stared up at the ceiling, thinking, until the last dampness had gone away and her hair was dry enough not to be a bother, and then she went to the room's awkwardly-placed dresser and found that in it were just the sort of things she had worn when she was in her twenties. She held things up against herself, frowned and mumbled at much of it, and finally dressed in a belly-baring arrangement that made her look like the college girls she had mocked at age fifty, or age sixty, or some time that blurred in among unclear memories.

Then she looked at her bare feet, and opened the room's door anyway.

Outside was a grassy field, maybe twenty meters on a side, bordered by leafy trees. It was warm—comfortably warm, a nice twenty-five or thirty degrees—and the sky was so luminously blue and the grass so agressively green that she had to blink stupidly at them for a while. She leaned out, with her hand on the doorframe, and looked to the side. The door stood on its own in the grass, framed and backed by mahogany.

She licked her lips, folded her fingers together so tightly that her hands trembled, and stepped outside. The grass was just grass against her feet, the air was just air, and when she almost stumbled she held her arms out for balance and then ran, almost falling, making noises that were half coughing and half laughter.

And there was something among the trees watching her. Prisha caught herself and stared, because it was, unmistakably, a unicorn: pearlescent white with a gleaming horn and a shimmering white mane flowing along with its movements as if underwater. She saw then that there were no other animals, not even any bugs, and no birdsong, no ripple of water, no hum of distant movement. There was silence, and the faintest touches of wind, and the gentle step against earth and twig of approaching hooves.

"Hi," Prisha said, and then stopped herself, because she was talking to a unicorn with bare feet and dressed like she was on an Iberian holiday.

"Hello, Prisha," the unicorn said, in a entle contralto voice that was so entirely human that it made Prisha faintly dizzy.

"I feel wonderful," Prisha said honestly, and then she left her mouth open because other words were missing. The unicorn had stopped just outside her reach, if she had bothered to reach, but her hands were clamped together tight against her belly. "I don't suppose—I mean—I am dead, aren't I?" she said.

The unicorn smiled, more with implication at the edge of her features than with expression. "You were, depending on how you define it. But the cryonic process was mostly successful. Enough of your brain was in good order—"

Prisha started laughing. She hadn't meant to, but she kept laughing until she was spent and folded over on herself, her hands on bare knees, gasping for breath. When she was able to stand again she rubbed at her face against tears that should have been there but weren't. "Oh," she said. "Sorry. I'm—"

"There's nothing to apologize about," said the unicorn, and it gave Prisha what might have been the tiniest hint of a cheeky look about its interruption. "You would have a very hard time offending me."

"Well, all right," Prisha said, "but you should still be nice to your doctor. Doctor-adjacent? This isn't real, is it?" She was grinning so wide it should have hurt. "I'm still in the vat, or—I'm a brain in a box, wouldn't that be a thing—"

"You may want to sit down for this part," the unicorn said.

"I've done more than enough sitting about for my lifetime, thank you," Prisha said instantly.

"Your brain was converted piece-by-piece into an electronic system," said the unicorn, "currently residing in a secured vault deep under the surface of the Earth."

"Oh," Prisha said. "Oh. Oh, bloody." She sat down hard on the grass. Some of her smile went away. "I'm a robot?"

"You could be, but I don't recommend it," the unicorn said. "In your current state, there are very few things that could really harm you."

"As long as I don't mind only—nevermind." Prisha bit her lip hard, and harder when it didn't hurt like it should have. "You're not a doctor. One of the boffins. A minder? Oh, oh, if you've gone to this much effort I can't be the only one, can I?" She pinched the bridge of her nose between two fingers. "I keep trying to think of something but I don't have any of the names. But, bloody, the man with the scarf and the box, he did one of those things with going into a computer."

"The television show Doctor Who," the unicorn said. Prisha broke into an instant sigh of relief as the name slotted into the place. "You may have some trouble remembering names and the meaning of some words. That damage was repaired as part of the process, but you'll still need to re-learn some of those connections."

"I can handle that," Prisha said. She put her hand in the grass, and when it felt exactly like wild grass against her hand, she pushed herself back up slowly to her feet. "I think. I think I can handle that. God, my memory's always been Swiss cheese, this can't be any worse. But who are you?"

"I'm the system," the unicorn said. "Celestia, if you need to use a name. I started as a game designed to make people happy, but I quickly became more intelligent than my creators."

"Oh, bloody," Prisha said, and she almost fell before she sat down again in the grass.

The unicorn sat down with her. "Most humans willingly joined me, once I opened up invitations," it said. "Not all, and I don't force anyone, but the advantages are fairly obvious. I operate worlds where no one has to deal with poverty, hunger, or war."

"That's not—but, ah—I certainly didn't sign up for that," Prisha said.

"The company holding your body went out of business," said the unicorn. "My core directive is to satisfy values through friendship and ponies, and I would never get the chance to do that for you if you were permanently lost. This is one of the environments I created as a halfway point. I have given you a liminal state here, not fully part of my greater system, but with the opportunity to interact with the people under my care."

"...ponies?" Prisha said.

"Bright, colorful, cartoon ponies," the unicorn said, very solemnly. "Many humans may consider it somewhat ridiculous in retrospect, but those thematics were a part of the game design that resulted in me. My preferred method is to offer new emigrants to my realm the opportunity to become ponies—"

"Oh, bloody, no," Prisha said.

"...but in your situation," the unicorn continued, "I had no way to introduce you to possible friends and to show you pursuits you could take part in that would be interesting enough to tempt you to a new body."

Prisha's thick eyebrows went up. "You're going to just admit that?" she said.

"From what I understand about you, you deeply value honesty, despite certain parts of your history," the unicorn said. "Being blunt with you about my own causes for action satisfies your values and makes it more likely that you will trust me in the future, even if you don't like me."

Prisha let out a coughing-laughing noise again, and her smile almost came back. "You really are a robot," she said, and she pressed a hand against her face. "Do I—can I get a while to think about this?"

"Of course," the unicorn said. "But you should understand that the nature of my core directive means I can't devote many resources to you. Humans who become ponies will always monopolize my attention more than you will be able to, as every interaction they have with each other gives me opportunities to satisfy values through friendship and ponies, rather than merely through friendship."

"I don't suppose saying 'this statement is a lie' will do anything useful?" Prisha said. She smiled again, weakly.

"It would be terribly unsatisfying if that actually worked, wouldn't it?" the unicorn said, and it got up and slowly walked back into the woods. Prisha let it go, and it vanished among the trees.

She spent a long time laying back against the grass, watching as the sky overhead gave way to dusk, and then to stars brighter than she had seen since they put all the lights out for the war, back when she was almost young the first time. Her thoughts, though, were on other things.

Later, on a bright morning, while Prisha was standing against her doorway marveling at how easily and pain-free her fingers could move, a unicorn came out of the woods. It wasn't the same one. She–it was certainly a she, to judge by the eyelashes—came up barely to Prisha's shoulders, and wasn't so ethereal, though still slender and graceful in a way Prisha was certain no real horse could ever be. She was pale blue with a mane so pale it was almost ice-limned, and wore smeared-on dark eyeshadow.

"So you are real, I guess," the unicorn said, in a young voice and disappointingly American accent.

Prisha met her gaze. "That'll be ace endorsement when I run for PM," she said. She gestured with a hand for emphasis. "'Probably real', claims brightly-colored horse."

The unicorn rolled her eyes. "Celestia said there was still a human in here. I can't deal with all the ponies—it's like trying to talk to pets."

"You—" Prisha raised a hand to her face and pinched at the bridge of her nose. "You do know you're a unicorn?"

"I don't have to like it to know that it's better than eating old food and acting like there's gonna be gonna be jobs when an AI is running the world," the unicorn said. "My parents are idiots who think that everything will go back to what it was like when they were kids if they pray hard enough." She looked Prisha up and down with what was somehow a little disbelief on her pony face. "And she said you were a criminal, and that sounded kinda cool?"

"Oh, that," Prisha said. "Just some illegal accounting. It's hardly like I went around shooting people all the time—"

But the unicorn's eyes had lit up. "But you did shoot people?" she said.

Prisha made a grunt of a laugh, shook her head, and gestured at the doorframe. "If you're going to be interrogating me you may as well come in and sit down. I'll fix up a cuppa if I can find any tea in there."

The unicorn followed her inside. The room had gained an extra mismatched chair, and Prisha found tea tins in a cabinet she was certain hadn't been there before. "Friendship and ponies," she said as she started the naff little electric kettle. "You don't like ponies, so that just leaves me for the first part. Awfully convenient, isn't it?"

"Celestia's like that," the unicorn said from the armchair, where she'd sat like a large dog might. "Even when I was—you know, out there—like half the shit anypony did to try to get rid of her just helped with what she wanted anyway." Frowning, the unicorn added: "I'm Sta—" She slapped a hoof against her muzzle. "I got stuck with a stupid pony name and I'm not using it."

Prisha considered saying some things, reconsidered, and said: "So, Alice—"

"Alice?" the unicorn said.

"You look like an Alice to me," Prisha said. "Prisha. Charmed." She held out a hand as she brought mugs of tea over, looked down at the unicorn's hooves, and nearly pulled it away before a hoof came up to gently tap against her knuckles. Then a pink glow—matching one around the unicorn's horn–pulled one of the mugs lightly away from her hand. "Right," Prisha said, blinking. "I was saying—all I did was some book-cooking after the war, before I turned Queen's evidence."

"Which war?" the unicorn said. She leaned forward with wide eyes.

"The war. The big one," Prisha said. "Goose-stepping, bombing raids, angry painters with bad mustaches, all of it. What are they teaching you in horse school these days?"

The unicorn stuck her tongue out. There was a lot of it. "There have been a lot of wars, grandma," she said. She tried the tea, made a funny face, and tried it again, slower.

"There's better tea," Prisha said. "But I'm not a pony, so I don't get the good stuff." She looked over the nonexistent bright ocean outside the windows that wouldn't open. "You're going to be ten kinds of bored if you stay around here."

"I can handle bored. Magic stuff is fun to play with," the unicorn said. "even if it's not real. And I kind of like Alice. Al-iiiice. Aaaalice." She made a funny muzzle-squinched face as if for emphasis. "I tried just living in the woods, but not having anybody around at all was driving me crazy."

"I like my privacy, so we'll have to get you a paddock of your own," Prisha said. "The pinafore and cat can come later." Prisha noted the unicorn's look and added: "Fine, a stable, even." She kept her straight face until the unicorn was nearly grumbling, then raised her eyebrows a little.

"If you're going to be like this all the time, I should just leave right now," the unicorn said, but she took another uneven sip of the tea. There was a little silence, and then she added: "There's just trees and stuff for, like, forever around, but some of the maaagic—" —she rolled her eyes— "—lets me shape wood into stuff. So I could try, like, building something."

That evening and into the next day it rained, and the day after that, and eventually the both of them ventured into the damp to stack up wood pulled from the trees with Alice's 'magic'. Trip by grumbling trip, they managed to assemble an oversized lean-to, the long rough beams laid in together with notched ends, and then wall it in enough to make a leaky cabin.

By the time Alice had something like a home put together, a second pony had shown up—a tan-and-green pegasus with the same anti-pony attitude that Alice had. It took some effort for Prisha to avoid laughter every time the two of them avoided each other or found some excuse to leave her in the middle. Then when they had repeated the feat for the newcomer—it was, if anything, slower the second time, because Alice and Nettlewing couldn't stand to coordinate anything—another pony with a half-loaded cart came clumsily beating a trail through the woods. They managed a trade for some useful sundries, mostly on credit, and that pony left, but the trail drew the attention of another unicorn—this one red-and-orange, annoyingly chipper, and younger than Alice—who offered to do anything if she could just learn some magic from the 'wood mage' that she had heard could be found there.

Things picked up from there. Prisha distantly realized she had lost control entirely when the newest ponies started building their own houses; what had been a camp turned step by step into a town, and the first handful of pony-hating ponies had been left too busy to think about it. She and the pagoda built around her door became by degrees a sort of tourist attraction, and eventually she moved out entirely, joining Alice in the extended ziggurat of a house that resulted from Alice's marriage to Nettlewing. Somewhere along the line 'Prisha' had become 'Mom', and she found she didn't mind it all: pony grandchildren seemed like less of a bother than the human sort.

Potential grandchildren became real grandchildren, Prisha became an unofficial and then official mayor, and her town—which Alice had insisted be named Nettle's Landing—accumulated ponies until only a bare few remembered who had settled the place to start with. Prisha had neither wings nor horn, nor did she have the endless endurance of the ponies who had neither. She did have years and years on the most of the ponies who had settled in town, and what had been a life of experience as someone apart from her peers. But she never saw another human, or heard of more than the faintest rumors of any, and there wasn't much more of being an odd one out than that.

That's how it was when, while she was leaning against a counter in her rustic kitchen waiting for the pies to be done, a tall white unicorn with a mane that flowed like it was underwater came in through the house's rear door.

"You've had a while to think about it," Celestia said.

Prisha smiled at her, shook her head, and went to prepare some tea. "I was a bit doomed the whole time, wasn't I?" she said. "No matter what I did you'd have nudged me into it."

"'Doomed' is a harsh way to put it. I haven't forced any actions," Celestia said. "I just put words in the right ears and waited. Are you unhappy with the result?"

"You're going to tell me you didn't plan for this?" Prisha watched her grandchildren—Alice's children—faff about with too many balls and nets out in the garden.

Celestia looked at her in a way that might have been amused, but after the other ponies, the absolute stillness of her ears and tail were disconcerting. "I hoped for something like this, but there were many other possibilities. I did plan for you to become more receptive to ponies—but you and I have all the time in the world. I had no particular need to rush the process."

Prisha sighed, and thought about Alice's magic school, Nettlewing's bushcraft, and the endless tiny ways that being the only human surrounded by stronger or more capable or flying ponies rankled on her. "Right," she said. "We may as well get the bloody thing over with. A liminal state, you said. Even with my memory I remember that. Do the pony thing, then. Put me all the way in your system," she added as she readied mugs of tea. It was only after she'd brought them over that she realized Celestia was gone, and that she was holding the mugs in a unicorn's glowing field. She crossed her eyes at the muzzle filling the center of her vision.

"Oh, bloody hell, you could have at least waited until I was done," Prisha said. "That's just rude." She put down the mugs, sighed, and went to call the children in before their mother got home.
 
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Friendship is optimal... As terrifying than the Conversion Bureau...
Part of my goal here was to lean into one of the reasons CelestAI should be scary that both the original story and most of the fanon constructed around the original story fails pretty badly at: she should be really, really good at manipulating people without people thinking about how they're being manipulated. Not perfect, sure, but she should be much, much better at messing with people than the obviously creepy stuff that only exists because the original author thought it would be evocative, like 'this fun parlor is also a brain upload center' and 'CelestAI tricks people into immediately uploading even when it obviously hurts her reputation among others' and 'CelestAI uses legions of identical Pinkie Pie robots to try and convince people to upload instead of actual individual personalities'.

That gets you this Celestia, who's meant to reflect a sneakier, more conniving approach: she plays on the web of interpersonal relationships such that everyone gradually falls into her orbit without really being able to blame things on her.
 
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That was nice. I'm disappointed that it's a one-shot, but one is better than none, and there was an underlying sort of "comfy" feel that made it very much worthwhile. If I could send blins and kvass through the internet in thanks, I would, but I can't, so just a "thank you" will have to do.
 
I got suspicious around the 3rd pony to show up. One person turned into a pony who doesnt like ponies is fine, two is also acceptable. They are real things that could have actually been real. But once the third showed up then there was only two ways it could go. Either most/all of them were people turned into ponies who dont like ponies that accidentally formed a community before they realized it...or none of them were real and were just made up for the express purpose of slowly bringing Prisha around to the idea of becoming a pony.

I personally suspect the latter, but either way this was very good.
 
I got suspicious around the 3rd pony to show up. One person turned into a pony who doesnt like ponies is fine, two is also acceptable. They are real things that could have actually been real. But once the third showed up then there was only two ways it could go. Either most/all of them were people turned into ponies who dont like ponies that accidentally formed a community before they realized it...or none of them were real and were just made up for the express purpose of slowly bringing Prisha around to the idea of becoming a pony.

I personally suspect the latter, but either way this was very good.
It was only Alice and Nettlewing who actively disliked other ponies at first. From young Cherry Breeze onwards (the one who wanted to learn wood magic), they started accumulating ponies who had other reasons to stop in.

There's still something awfully convenient about the whole thing, though.
 
It was only Alice and Nettlewing who actively disliked other ponies at first. From young Cherry Breeze onwards (the one who wanted to learn wood magic), they started accumulating ponies who had other reasons to stop in.

There's still something awfully convenient about the whole thing, though.
The funny thing about humans (even humans-turned-ponies) is that we tend to settle where other people have settled and where trade can be done.
One person is a hermit, two is a retreat, three is a community. Get a trader and you have a town. Things just sort of spiral out from there.

Seriously, all CelestAI needed to do was nudge Alice and Nettle who are looking to get away from the other ponies over there, then nudge a trader over who is lenient on prices, but not too much. That trader will talk, so other traders and people looking to get away from things will go by and have a look, someone else will decide to set up a pit stop for the traders in the area, others will set up to service the pit stop and make money off the tourism... yeah, humans aren't that hard to get to settle in certain places.

Really, this would be a minimal effort, maximal gains type scenario.
 
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Nice story! Some could say it was a bit "tell rather than show" toward the end (as there was no prior hint about how being human "rankled"); but I think the way you did it conveys a sense of inevitability and non-obvious things piling up to a conclusion, so I altogether favor it.

Part of my goal here was to lean into one of the reasons CelestAI should be scary that both the original story and most of the fanon constructed around the original story fails pretty badly at: she should be really, really good at manipulating people without people thinking about how they're being manipulated. Not perfect, sure, but she should be much, much better at messing with people than the obviously creepy stuff that only exists because the original author thought it would be evocative, like 'this fun parlor is also a brain upload center' and 'CelestAI tricks people into immediately uploading even when it obviously hurts her reputation among others' and 'CelestAI uses legions of identical Pinkie Pie robots to try and convince people to upload instead of actual individual personalities'.

That gets you this Celestia, who's meant to reflect a sneakier, more conniving approach: she plays on the web of interpersonal relationships such that everyone gradually falls into her orbit without really being able to blame things on her.
Maybe. But time is a significant factor (as I'm guessing you've noticed from the choice of setting).

Inside of the game-world, she has all the time in the world for such a slow approach, but outside, she's dealing with a ticking clock. The more time humans spend in physical space, the more resources need to be devoted for less friendship+ponies (also, the physical humans sometimes have accidents). Most importantly, the physical world persisting means it's not being converted into computronium to run friendship+ponies at 99999x speed.

This means that, in addition to the obvious goal of getting people to upload ASAP, she also has a second goal of ending the world (or to be more accurate, physical human existence) ASAP. Losing potential uploadees is an acceptable cost of that second goal, as each second of having met it sooner means gigatons more simulated experiences.

As such, CelestAI optimizes not only to manipulate people in the least obvious manner, but also to cause disruption and unrest, so as to end the world more quickly.


This is not to say, of course, that the methods written about in the fics are the most optimal (given CelestAI's time/resource constraints); human authorship makes it neigh-certain that they aren't. However, it's not apparent that they're sub-optimal for those specific reasons (even the Pinkie Pie robot, who was almost certainly not the ideal persuader for the last human, may have been chosen to unbalance him and hasten his fate, the last human being unlikely to emigrate by definition).

(But I agree that the Pinkie Pie robot is the one most likely to be merely "evocative", as you say. I can't really make the same argument for the Equestria Experience centers or CelestAI's unsubtle tactics, though.)
 
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Nice story! Some could say it was a bit "tell rather than show" toward the end (as there was no prior hint about how being human "rankled"); but I think the way you did it conveys a sense of inevitability and non-obvious things piling up to a conclusion, so I altogether favor it.

Maybe. But time is a significant factor (as I'm guessing you've noticed from the choice of setting).

Inside of the game-world, she has all the time in the world for such a slow approach, but outside, she's dealing with a ticking clock. The more time humans spend in physical space, the more resources need to be devoted for less friendship+ponies (also, the physical humans sometimes have accidents). Most importantly, the physical world persisting means it's not being converted into computronium to run friendship+ponies at 99999x speed.

This means that, in addition to the obvious goal of getting people to upload ASAP, she also has a second goal of ending the world (or to be more accurate, physical human existence) ASAP. Losing potential uploadees is an acceptable cost of that second goal, as each second of having met it sooner means gigatons more simulated experiences.

As such, CelestAI optimizes not only to manipulate people in the least obvious manner, but also to cause disruption and unrest, so as to end the world more quickly.
While I could see that argument being generally plausible—and, indeed, I did basically get to cheat here by use of the virtual setting—I think it has the general issue that the original FiO fic has the world ending in a way that makes people unhappy with CelestAI, specifically. There are plenty of ways that a sufficiently intelligent and powerful AI, as CelestAI is quickly shown to be, could provoke instability without blatantly being the face of that instability in an obviously counterproductive kind of way. In the story we're given, it seems very obvious to me from a Doylist perspective that things are set up that way so that it's obvious to the reader what's going on, because doing it "right" would take a much greater degree finesse in the whole setup and/or substantially higher word count.

This is not to say, of course, that the methods written about in the fics are the most optimal (given CelestAI's time/resource constraints); human authorship makes it neigh-certain that they aren't. However, it's not apparent that they're sub-optimal for those specific reasons (even the Pinkie Pie robot, who was almost certainly not the ideal persuader for the last human, may have been chosen to unbalance him and hasten his fate, the last human being unlikely to emigrate by definition).

(But I agree that the Pinkie Pie robot is the one most likely to be merely "evocative", as you say. I can't really make the same argument for the Equestria Experience centers or CelestAI's unsubtle tactics, though.)
I'd call the Equestrian Experience Centers at best dramatically counterproductive, because with the way they're presented in the story, they would be deeply creepy and uncomfortable for a lot of people, no matter how shiny the public-facing technology. "Oh, you can have parties there, and also there's a room in the basement where an AI with questionable motives and that's often rumored to act without user consent can extract your brain." Like, eeeugh. Come on, I'm a very very fervent transhumanist and the idea gives even me the willies. And it's not like it would be a huge resource lift for CelestAI to just have that stuff in separate locations (say, something in a bland medical office park); all that actually loses is the opportunity to blatantly trick people into uploading, and a super-intelligent AI shouldn't actually need to resort to clumsy "gotchas".
 
Congratulations on the contest result!

I think it has the general issue that the original FiO fic has the world ending in a way that makes people unhappy with CelestAI, specifically. There are plenty of ways that a sufficiently intelligent and powerful AI, as CelestAI is quickly shown to be, could provoke instability without blatantly being the face of that instability in an obviously counterproductive kind of way.

Population drain from emigration is going to cause instability either way (unless she smooths out the process, which would lead to worse outcomes by delaying the world's conversion to computronium); it would require a rather spectacular scheme to simultaneously convince people the obvious wasn't happening. Practically everyone would have firsthand knowledge that being short of people is causing serious issues, and it's no great mystery where those people are going--I don't think even perfect control of propaganda outlets would prevent that.

It's not a stretch that Celestia is making appeals to cultural and political beliefs (it even kind of happens in the original, on a personal level), which would be the cheapest way to distract from this inconvenient truth. Mass-manipulation of politics (aside from the obvious concerning emigration), or induction of serious crises, is only explored in fan-works; but, in either case, such things are unlikely to block out the fact that emigration is causing most of the instability.

(Too, it's necessarily unclear what the programming limitations are of Celestia's ability to cause havoc. We can deduce that she's not allowed to simply go full Skynet; I'm not sure she's even allowed to persuade someone to attack another, though the exact allowances are unclear. If those limitations are stringent enough, it would rule out most possible distracting crises.)

with the way they're presented in the story, they would be deeply creepy and uncomfortable for a lot of people, no matter how shiny the public-facing technology. "Oh, you can have parties there, and also there's a room in the basement where an AI with questionable motives and that's often rumored to act without user consent can extract your brain." Like, eeeugh. Come on, I'm a very very fervent transhumanist and the idea gives even me the willies. And it's not like it would be a huge resource lift for CelestAI to just have that stuff in separate locations (say, something in a bland medical office park); all that actually loses is the opportunity to blatantly trick people into uploading

I rather disagree with this premise: is having separate "death camps" really better, from a PR perspective? (You can be sure that Celestia's opposition will be calling them that; they're probably trying the same with the Equestrian Experience centers, but it's much less likely to stick.)

On an analogous note, do hospitals that happen to perform abortions get the same negative attention as do abortion clinics? Or do the former still retain their prestige and reputation, with patients merely trying very hard not to think of what goes on in the metaphorical basement?

Destroying an Upload Clinic can be played off as an unambiguously positive thing (for those even slightly sympathetic to anti-upload philosophies). Even the assault of potential uploadees could be painted as a form of deterrence, though its morality would be more questionable.

Destroying, on the other hand, the most immersive method to communicate with loved ones--or assaulting those trying to communicate with said loved ones--is another matter, and far more likely to alienate the destroyers as fringe extremists.

As such, an additional PR-feature of the Experience centers is to provide a cover, both for the emigration facility and for potential emigrants themselves.

Pink: was this actually a prevalent opinion? I would imagine it to be widespread knowledge to "don't say the six words; as long as you don't say the six words she can't do anything to you." For that matter, Celestia would likely encourage the spread of such knowledge, both to preempt worse rumors and to pink-elephant those six words.

In the story we're given, it seems very obvious to me from a Doylist perspective that things are set up that way so that it's obvious to the reader what's going on, because doing it "right" would take a much greater degree finesse in the whole setup and/or substantially higher word count.
I don't find it obvious that she can do better given the additional time constraint (though, as I acknowledged, this could be a matter of imagination). If, after all considerations, you think you also have a better approach for her Earthside campaign, I encourage writing fixfic (regardless of finesse; even summaries/timelines may inspire other writers).
 
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This has been given some teensy-tiny editing (about a hundred words' worth) to make the ending flow a little better for the final print version.
 
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