Chapter 2.1: American Variation
Some of the mandarins at Whitehall get to work in the new buildings in central London, places that have central heating and a budget for office decoration. Some of the more exalted ones at the Foreign Office get to have windows overlooking the changing of the guard. The military has its blocks on Horse Guards while the Admiralty have theirs at Trafalgar Square where Nelson looks grimly outwards to the sea while pigeons leave presents on his head.
My office is unfortunately nowhere near any of those.
The Service sends its old warhorses and its more grammar-school types to pasture in an old building marked off as offices for an obscure insurance firm. So it's to old Camden Town that I'm forced to go once back in London, the faint scent of garbage on the breeze another sign of the strikes going on, a steady beat of labor agitation. The
Daily Mail screams from block-capital headlines that this is Communist work, while the
Times bemoans the cost to the nation while wishing the strikers would be 'reasonable'. A few pence gets me the
Times from a newsboy that's got only two papers to spare, while another few pence gets me the fare to Camden and the office of the Service.
The satellite office for Liaison Control, Europe. A wonderfully resonant title, I've always felt, for a task that usually amounted to cleaning up after the Americans passed on through.
Camden is depressing but the Service's offices are worse, the stains on the building's nameplate having been there since I've been in the place and somehow growing. The place where the more grammar school types and the Service's lost dogs wind up has peeling paint and ancient lino, a secretary that probably thinks some of us are spying for Adolf and an oversight board that reeks of Parliament. After the usual drama about my aging ID card and the fact that only Blake who works the dog-ends of the Balkans is willing to vouch for me, the portals of the Service open before me. They creak.
I roll the
Times up under my arm in the manner my boss does it, and push open the door that says
Richard Sykes, Liaison Control. Sykes looks up from his desk as I enter, a thin Englishman two years younger than I. He keeps apologizing for that fact, to use the chance to remind himself of fast promotions that he's got in a place that doesn't usually do fast promotions. I plop myself down in the plain wooden chair and slouch a little, eyes still sandy from last night's stakeout and the flight over from Berlin. "What news from the upper echelons, sir?"
"I did tell you already, Eric, call me Dicky." He smiles widely, a salesman's smile with the expression never quite reaching his eyes, practiced and sure. Sykes is perfectly informal, open-necked shirts and jeans while in the civil service, every inch the
Wunderkind among the department heads and their Eton or Guards ties. "They think it's a cushy coasting ride here, up to the top from Camden to Whitehall. Nobody seems to get what a bloody mess it is to work with the Americans, the French, the Spaniards and God only knows who else while maintaining some amount of independence." He's stirring his coffee as he talks, the
clink of spoon on china constant and rhythmic enough to give my sleep-deprived mind a headache.
So I just nod tiredly, not really here to meet Dicky in any case. "Where's the old man? I was told that the Admiral wanted to debrief me." Unsaid is the fact that the Admiral is Sykes' boss and therefore not a name lightly invoked, and the way good old call-me-Dicky Sykes' lips press together for a moment in irritation is testament to that fact.
"The Admiral is busy. I'll be handling the debrief, Eric. Do begin, there's a good chap." He has a pen and a paper ready as if to take notes, pausing for a moment as if remembering something. "Ah, yes. Coffee?"
A steaming cup gets placed in front of me when I nod, the nectar that'll erase my headache being something too hot to sip comfortably right now. I blow on it before speaking, but the report's something short enough that I don't much need to bother with technical aspects. "He didn't come across. The stakeout was a wash, and the Americans don't have a backup plan. Strauss Three is dead in the water there in East Berlin, sir." I've always found the codenames – musicians, for Christ's sake – faintly ridiculous, but they're damned useful for sounding important. "We waited at Checkpoint Charlie as instructed, waited for a signal from the border guards. The details were with the American liaison – Pamela Hobson."
"Yes." Dicky sips his coffee and gently sets cup and saucer on the polished wooden table, "Just a shade too bitter, don't you think Eric? Roasted too long, I think."
"Instant tastes all the same to me, I'm afraid."
"This is hand-ground Colombian, ground just before it was brewed." He says it calmly, as if tolerant of my idiosyncrasies or acknowledging the attempt to irritate him. "Now, you said he didn't come over. What was the American reaction to Strauss Three? Did Strauss Three send any sort of abort signal?"
"The American reaction was from Pamela Hobson, and was entirely exhausted." I politely refrain from reminding Dicky Sykes that I am
also exhausted after a night of staking out Checkpoint Charlie in an Audi with windows open, "Strauss Three sent nothing at all. Zip, zilch, nada as the Yanks like to say. Sitting here sipping hand ground Colombian won't bring Strauss Three back across the wire."
Dicky Sykes says nothing at all for a moment.
Instead of waiting and being polite, I decide to poke again. Strauss Three saved my life in Leipzig once, and I owe him for that. "Has he re-established contact yet? Send any sort of signal across the wire? He knows the contact points on the Wall and through the U-Bahn, you know."
Dicky takes his time, riffling through some papers in a file before replying. "We received a routine report from the German contacts that Strauss Three likes to use. The Gehlen Organization. He's safe. Gone to ground." Dicky picks at a fingernail, avoiding my eyes for a moment.
"Why didn't he turn up, then?" The coffee's beginning to hit me, blessed wakefulness slowly coming up with my headache receding for the moment. "If he can make contact with Gehlen, why can't he turn up?"
"No details, no names and no pack-drill." He smiles at me apologetically, as if thinking that would clear the air. He's every inch the Englishman that a foreigner would take as one, the model of the bowler-hatted English stockbroker with the same narrow, bony face that some call handsome. "Give him time. You know how it is – you can't badger the informants in the field. Let them lie. That was always your policy, Eric."
"The only way to do it, Dicky." I can't say much else, much as I'd like to know what the hell is going on. "There's more, though. Pamela Hobson now works for that secret American agency. Shield."
"Ah.
That is something indeed." He makes a note on the paper in front of him, "Things are rather exciting then. I do envy you field men, I've always wanted to be back in the field. You people have the best of it, better than meetings with the politicians in London."
"I've been a liaison desk man for the last two years, Dicky, you know that." I'm also tired and irritable and in no mood to tolerate being condescended to by a man whose field posts had been the great espionage hotspots of Australia and Canada, "I fly a desk in West Berlin and handle the mess cleaning when someone steps in it over there. I got a telegram with the Admiral's signature asking for me specifically and mentioning Hobson, which is why I took the job."
Dicky just smooths his shirt for a moment, sipping the last of his coffee and holding his free hand under his chin as if to ward off the last few drops. A look at my empty cup on the table tells him I've drunk the lot far earlier, "Quite good, wouldn't you say Eric?"
"I'd prefer a bigger cup or a gin, to be honest."
He doesn't respond to that, "I think you're still grateful to Strauss Three for that mess in Leipzig. For him coming back to Leipzig and giving you a hop out." He greets my look of surprise with a calm nod, "I read the files, Eric. You know as well as I do that I like to know the background well."
Strauss Three has damn good reason for my gratitude, "It was the decent thing to do, Dicky."
"It was," says Dicky with the infuriating expression of condescending friendliness that he likes to play up as if to contrast to the ex-servicemen in Intelligence, "It was, but Strauss Three likes to do that sort of thing. He's an idealist. A risk-taker. And that's not the only reason he did it."
"You weren't there, sir." With all due respect, which I want to say out loud is to say very little. I don't.
"Strauss Three knew that you would finger him if you wound up in a Lubyanka cell, Eric. He was on the verge of giving Gehlen the emergency-exit signal before he changed his mind and went back for you" Dicky's voice is earnest and personable, as if to ape the avuncular Admiral who brought grammar-school boys like me into the Service.
"Even then," I said, "Even then it's a decent thing. And anyways, it's all ancient history."
"Anyways." Dicky cracks his knuckles loudly, picking up his pen again. "Tell me about this
Shield and Pamela Hobson. What were their priorities, in your view?"
"In my view." This time I hesitate, licking my lips nervously and wondering what in God's name Dicky means with that phrasing. "So you're saying that you've already been briefed on Shield. Why not tell me on the way in?" He smiles and raises a hand as if to silence me, and I change the subject back to Pam and the stakeout. "In my eyes, odd. Pamela Hobson has been an Agency woman for a decade and possibly more. She's old in this game, Dicky, married and pondering children. You don't get that old without being cautious, and these Shield people had her motivated to take risks even for some chickenfeed operation like this one."
"Risks such as?" He's writing as I talk, pen-nib scratching on paper as if this is too secret to entrust to some stenographer. I know he has one, that ancient old basilisk at the entryway acts as the department stenographer.
"A general inclination to be more aggressive during the stakeout. Expectations that we would have a better vehicle available. A complete disinclination to talk about her employers." That one, at least, is odd. Spies make for excellent moaners even if you don't get much out of them, "I've known her to bitch about the Agency whenever she can, sir. This time? Not a peep. The recordings ought to show more."
The pen abruptly stops writing, "The recorder and mike were in the vehicle and properly hooked up, then?"
"Yes. Why d'you ask?"
Dicky grimaces this time, the stockbroker having made a bad trade. "You don't know, then. The recordings were wiped at certain time stretches. Blank, and between the blanks damn little. All we got that was substantive was the first twenty minutes, then static or just ambient noise from the stakeout. Whenever you asked a question the reply was a wash. The last bit that we have for certain is you asking her about why you're there." He grins at me sourly, "Not the best attempt at a probe, that."
I just shrug, not really giving a damn. "I've known Pam Hobson on and off for a decade, Dicky. She knows what I do and there's not much use in stealth." Still. It takes me a moment to cudgel my sleepy brain back to the events of last night, fuzzy memories lining up for inspection while Dicky waits on the other side of the desk. When I had asked about why I was there...ah. "The cigarette case."
"Pardon?"
"She took out her cigarette case quite often, as if she wanted a smoke but couldn't have one." I shrug again, this time with an ember of irritation in my gut at Pam's seeming cloak-and-dagger obsession. "Not that unusual, you see it quite often. Nighttime near the Wall you don't want to have a light in the car. Better to seem as though you're sleeping in an old Audi than to look like a cop on stakeout."
"So this cigarette case of hers had some sort of selective jammer." Dicky speaks slowly, "That you couldn't detect."
"Yes." It sounds like bullshit from some serialized novel, but it's true. "I know what it sounds like."
Sykes smiles suddenly, "No worries, Eric. No worries." He makes another note, carefully, on the paper before putting his pen down and gesturing to the carafe in the corner on its little table, "Another cup, perhaps? I just need to fetch something."
I nod, get a splash of the coffee in my cup and wait while Dicky Sykes 'takes care of something'. He takes first five minutes then ten, time stretching on while I try to puzzle out what's going on. Pam with her shiny toys that make no sense, Dicky seeming to take their existence on faith when he's always been every inch the devil's advocate in the past. Shield is more than just intelligence, it seems.
Dicky Sykes comes back in fifteen minutes, apologetic and with a brown manila folder under one arm. It's thick, bearing the red stamp of secrecy and dumped unceremoniously on the desk like some relic of a past time. One look at the yellowing paper inside it tells me that perhaps this is some relic of a past time. "You're going to sign for this and read it, Eric. In your own time. Use the reading rooms here. Now that you're in the operation we might as well brief you in full."
I nod, waiting for the sting in the tail. Dicky Sykes doesn't disappoint, "Eric old boy, you're to head up the liaison with Shield again. They've asked for a Berlin liaison. Probably some form of extraction for Strauss Three. That or another option. We're to leverage Mozart One in this."
I let out a long, low whistle, impressed despite myself. "Mozart. You're pulling in the Admiral's golden boy there, the source that the old man himself built. What
are the cousins across the water paying us, do you know?"
Dicky smiles thinly as if discussing money is some unwelcome but tolerated lower-class foible, "Strauss Three is a source deemed to be critical. We're to use Mozart One to get him out. As far as what the operation is to be about, well. Listen and learn, old boy. Put the file back. You can read that dusty thing later."
AN: Feedback welcome and requested. The plot is still building. Some of this is based on Len Deighton's work, some of it on John le Carre's. The latter author died last week, and that's part of why I'm writing spy fiction again.