Journey Of A Golden Spirit: Rossi Di Napoli (Mass Effect/JoJo)

[X] Leave. Right now. Make sure Cesare's coming with you too. You gotta get out of sight five minutes ago.
[X] We need to get Cesare out of her without blatantly using our powers. Poke her eye with Pearly gates before sending him home with a portal. Fake chasing after him and use a portal to get home as soon as we're around a corner or out of sight. This way she would only consider us fast criminals instead of anything worth looking into.
Why would you run if you're not guilty of anything?

Because, right now, you're... not. Well, theft, but she doesn't know that, nor can she prove it, because you didn't enter the bakery. All she's seen is a pair of matching red handkerchiefs.

You're all smart. Work with that.

... I don't think Buccellati had any kids, but what do I know?
Hand on heart, it's the best name I could come up with that works in both Italian and English. That's all, honest.
 
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[X] Do nice things; ask her about her day, brew some coffee for her, or hell maybe even talk her into going home; look at the bags in her eyes! But not too nice- mention the bangs under her eyes with a couple of swearwords, just act almost halfway potentially like a normal person instead of a criminal.
-[X] Talk about Fireball Bruno. Keep her mind off of the Nail. Ask Cesare to talk about what he knows- but not all that much, or else he'll think you have an agenda other than "enjoy my junk food without getting arrested". Which you don't have.
 
And... gone. Cesare stares up at the sky, hand over his brow, mouth slightly ajar in an involuntary sneer as he watches for it.

"... Can't see it."

"Squawk!"

"... I think it hit a bird though."
That deserves a golden award.

Cosa Dolce. One of the most expensive, and delicious, bakeries in town, making absolutely everything from scratch, every morning in time for the workday rush. Being around to smell the baking happen is supposed to be a religious experience, and despite yourself, you have to agree. In the windows, you can see the first barrage of baked goods, fresh from the oven. Biscotti line the bottom of the window, filled with almonds and gently glazed with something to give the outer crust a tiny sheen, no doubt served with the fresh coffee they're brewing, your teeth aching at the idea of biting into them. Behind the granite blocks masquerading as cookies, a couple trays of Amaretti, still steaming from the oven, some Sfogliatelle flanking them, the leafy, flaky pastry filled with ricotta, but the centrepiece of the entire thing is a stack of Mostaccioli, the dense, honey flavoured dough no doubt hiding the chocolate and almond filling you adored the few times you had it as a child, and still have a soft spot for now. The other shelves stack bread, larger cakes, some Panettone here and there...
And now I'm hungry.

Because, right now, you're... not. Well, theft, but she doesn't know that, nor can she prove it, because you didn't enter the bakery. All she's seen is a pair of matching red handkerchiefs.
Is that what she saw? How are matching red handkerchiefs-

Via Rossi

Oh.
 
Why would you run if you're not guilty of anything?

Because, right now, you're... not. Well, theft, but she doesn't know that, nor can she prove it, because you didn't enter the bakery. All she's seen is a pair of matching red handkerchiefs.

You're all smart. Work with that.


Hand on heart, it's the best name I could come up with that works in both Italian and English. That's all, honest.
Sorry though she saw something much more increminating.

[X] Make some adjustments slightly twist cesare arm out the way and move closers to block line of sight and have Pearly Gates rool down his sleeves.
-[X] Bring her attention back to us, "that's terrible" offer her a pastry she looks tired. Try to look like a helpful kind upstanding citizen.
-[X] keep the talk about Fireball Bruno don't let it drift to any other gangs. Keep her mind off of the Nail it's just a normal tattoo we got cause we thought it looked cool. Ask Cesare to keep talk about what he knows. Try and add whatever knowledge you have about his gang so it seems like you both have info and keep him from bring under to much scrutiny.

How's this
 
Sorry though she saw something much more increminating.

[X] Make some adjustments slightly twist cesare arm out the way and move closers to block line of sight and have Pearly Gates rool down his sleeves.
-[X] Bring her attention back to us, "that's terrible" offer her a pastry she looks tired. Try to look like a helpful kind upstanding citizen.
-[X] keep the talk about Fireball Bruno don't let it drift to any other gangs. Keep her mind off of the Nail it's just a normal tattoo we got cause we thought it looked cool. Ask Cesare to keep talk about what he knows. Try and add whatever knowledge you have about his gang so it seems like you both have info and keep him from bring under to much scrutiny.

How's this
I mean, it's better, it'd placate her, at least, save Gioia from eating the equivalent of an entire jar of cookies, and get the Carabinieri the info she's after. So short term, probably the best choice you have. The sole problem I can see is... well, a certain lack of unity in the votes.

Coin flips only get a quest so far, people.

Anyway, votes will close on Tuesday at 8 pm.
 
[X] Make some adjustments slightly twist cesare arm out the way and move closers to block line of sight and have Pearly Gates rool down his sleeves.
-[X] Bring her attention back to us, "that's terrible" offer her a pastry she looks tired. Try to look like a helpful kind upstanding citizen.
-[X] keep the talk about Fireball Bruno don't let it drift to any other gangs. Keep her mind off of the Nail it's just a normal tattoo we got cause we thought it looked cool. Ask Cesare to keep talk about what he knows. Try and add whatever knowledge you have about his gang so it seems like you both have info and keep him from bring under to much scrutiny.

I think I am starting to ship Gioia and Cesare, they seemed cute with their date hangout.
 
[X] Make some adjustments slightly twist cesare arm out the way and move closers to block line of sight and have Pearly Gates rool down his sleeves.
-[X] Bring her attention back to us, "that's terrible" offer her a pastry she looks tired. Try to look like a helpful kind upstanding citizen.
-[X] keep the talk about Fireball Bruno don't let it drift to any other gangs. Keep her mind off of the Nail it's just a normal tattoo we got cause we thought it looked cool. Ask Cesare to keep talk about what he knows. Try and add whatever knowledge you have about his gang so it seems like you both have info and keep him from bring under to much scrutiny.

Hethen. Gioia is Shepard, she belongs with Tali!

Wrong dextro-based love interest.

Shakarian for the win.
 
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[X] Make some adjustments slightly twist cesare arm out the way and move closers to block line of sight and have Pearly Gates rool down his sleeves.
-[X] Bring her attention back to us, "that's terrible" offer her a pastry she looks tired. Try to look like a helpful kind upstanding citizen.
-[X] keep the talk about Fireball Bruno don't let it drift to any other gangs. Keep her mind off of the Nail it's just a normal tattoo we got cause we thought it looked cool. Ask Cesare to keep talk about what he knows. Try and add whatever knowledge you have about his gang so it seems like you both have info and keep him from bring under to much scrutiny.



Wrong dextro-based love interest.

Shakarian for the win.
Pitiful. Next you'll be telling us that that hideous pompadour is cool or something. At least put her with Liara if Tali's not available!
Boys, boys, they're both beautiful, they both have a chance, and I'm not Bioware. When the time comes, you can all argue it out to your tiny collective heart's content.

Anyway, votes have now closed, and being helpful and hiding your colours wins!
 
Pitiful. Next you'll be telling us that that hideous pompadour is cool or something. At least put her with Liara if Tali's not available!

I loathe the asari. They are parasites, plain and simple. They exist purely to assimilate traits from other races while simultaneously breeding them out of existence. Breeding within their population produces sterile and dangerous entities (Ardrat-Yakshi) and, given enough time and numbers, it is possible that they could wipe out all other sentient life by way of snu-snu.

Additionally...

 
So how did their species survive before they achieved interstellar travel?

It wasn't initially that common, but the asari made it worse. They targeted the other pockets of genetic diversity on Thessia first. Unfortunately, this has made the asari even more parasitic in nature, seeing as they reduced their genetic diversity to a point even mankind hasn't reached yet (Thank you, Mt. Tambora eruption-induced bottleneck!). Mankind is very homogenous genetically, but the asari would be FAR worse.
 
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The Oppenheimer. [WARNING: NOT FOR THE FAINT OF HEART]
This is less a step across branches, and more stepping into an entirely different tree. It's also a lot darker than my normal fare, so be warned. I just wanted to try my hand at a bit of abject horror involving aspects of one of my favourite comic book characters.

Actually, perhaps a little backstory. Way, way, way back when I was first planning this quest, I had ideas to offer a different type of crossover, with The Manhattan Projects. This could have been one of the choices, and it would have acted something like a… whatsitcalled- like Armsmaster Quest, but more… directly involved. This is just to get the idea out of the way so I can move on to more relevant stuff.

And while I'm here, tomorrow- or today if you're on GMT and feeling pedantic- will be another sidestory, the first proper... I suppose, interlude, really, giving out a little more information on a certain character. This is instead of the actual update because, eh, it's my birthday and I've earned myself a bit of self-indulgence.

This particular chapter is much, much darker than anything else I've posted. To be particular, it deals with Shepard... basically being a human Reaper. Take that in the worst way possible, and decide honestly whether or not you want to read this.

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The soul of a bird flits through the air, clear through the smoke and dust of artillery shelling.

"Do they live? Do thy progenitors and kin live? Shall you add them to your cairn of souls as I if they do not?" It asks you.

"Of course we will. We love them so." A fracture of your mind asks- you believe this one is supposed to be a monk, what with the robe with the long sleeves and rope belt.

"They will add nothing! Sentimentality is not something I will stand for!" One with an eyepatch and a cap of some kind yells.

"How can we not?"

"Shut up, shut up, shut up!" You all but scream at the shards of your mind, still breeding with every stray thought, rare as they are right now, the souls of woodland animals, and the mind of Jeffrey Sanders, a boy from your class you took to the woods one night, implying an offer of sex, offering death and consumption --Completely-- as consolation.

Except you didn't. Those were the actions of another, using your body against you. They had always been there, between every blink, taking control every time you weren't quite paying attention, every time you lost time-

"Us. Always us. Always you but not you but the you you will grow to be. We will grow to be. Is there such a difference, even now?"

You scream wordlessly as a Batarian appears from seemingly nowhere and raises his gun at you.

Your arm goes numb as THE OTHER takes it over and you watch the rock that wasn't in your hand a moment ago fly towards the alien and pierce the upper left eye, sending it screaming to the ground as your legs become not your own and you but not you walk to it and drive your heel into its forehead ridge over and over again, eventually reducing its head to paste as strength not yours commands.

As soon as you feel your legs become yours again, you drop to the ground and vomit.

"We defend you when you will not."

"Why?! Why are you making me do this?!"
You scream at the monk, as you stop retching, her calm, almost serene look unfazed by your outburst.

"You must live. You must grow, and consume to grow. You will understand in time that you already understand."

You're beyond scared of the red and white ghost in front of you. You are beyond terrified of the control these, these ghouls have over your body.

You don't know how much of you is you and how much of you is them and as soon as you think of that, the monk smiles and you find yourself paralysed as you realise the implications of that uncertainty.

"Fie!" Eyepatch yells. "Finding your mother and sister is better than being stuck on the ground in fear, girl!"

You look at it- her- no fuck you it's an it- and realise that it does have a point.

You get up, still feeling woozy, and continue stumbling in the direction of your house. You think.

"Ok. Ok ok ok ok o-k." You start babbling after a few minutes of relative peace, the gunfire in the distance notwithstanding. "If- if we're doing this, we've gotta, set down some ground rules."

You have to regain control, of your body, of your life, of your mind, of something, anything, just enough to give you some semblance of authority over your own headspace. You need that, or you're going to snap. More than you already have.

"Hmmmm?" Jeffrey offers, the only sound he seems capable of.

"Yeah. First- I don't, want you to take control of me like that anymore."

"Didst it not save thy life not minutes ago? Hath we not proven our ability to help you?"

"Yeah, and then you turned his head into paste." You gag a little as you think of the batarian's brains splattered on the grass, and take a moment to recover. "Fine, if you have to, do it, but just... some restraint, please?"

"'Restraint' doesn't really come into the equation.'

"Well it fucking does now! I just threw a rock through a guy's eye, then stamped his head into paste! I don't even want to think about the damage that's caused me! I don't want to kill and cannibalise people! I-"

"Will continue to. Eventually. You will feel that urge become unbearable soon enough. The absolute consumption of another is... like breathing to us."

You consider starting to argue, and then your stomach rumbles. And you realise you just vomited up everything you've eaten in the past day.

You think back to the batarian head, this time not in disgust, but in hunger, and you wonder how it would taste, that knowledge!- no, no, no no no no no, not going there not going there-

The monk smiles. It's the happiest smile you've ever seen as if she's achieved everything she's ever wanted in life, and it scares you witless.

You keep running. You have to. If you stop and think, you don't know what you'll lose in that thought.

Eventually, almost on autopilot, you reach your home. The sun rises, gunfire and shelling long dead, and you notice with a feeling of ice water in your heart that the door's been kicked in.

Oh god. Oh god no please say they weren't still home no no no no-

"Enough. Find out their fate, then panic."
The songbird admonishes you.

You do not move. You don't want to.

Your legs go numb, and begin to move of their own accord. You look down with a wild fear in your eyes and begin screaming your assent.

"Ok, ok, ok! Just give me a fucking minute!" You shriek, and after a moment, you can feel those legs become your own again.

You take a few deep, calming breaths. You confront the fact that you need to find out. Eventually.

Before you can lose your resolve, you walk through the front door to the sight of your mother making the dinner your sister playing happily the sun shining the grass being green a corpse, two bullet wounds to the head, clutching her favourite teddy bear close is that a tea party they're having you wonder if the blood on her dress is hers or that of the woman holding her cooling body close and hugging her happily-

The two realities battle for dominance in your eyes, and you feel something hot against your lip. A salty, metallic liquid dribbles past your lips and you realise you have a nosebleed.

Why? You didn't hurt yourself, you just saw a perfectly normal warzone filled with happiness and death why you why now why here why at all-

"... Clara?" Your mother asks, dragging you back to a reality you'd rather ignore. She coughs, sputtering blood as she does. "Clara, come here." She commands.

You walk forward, not of your own volition, but not of the other's either.

One of your eyes is going red. You think a blood vessel's burst above your pupil. It hurts.

You hurt too much to scream at the sight. You're too tired for fear. All you feel is numb.

"Mom..." You mumble, dropping to your knees next to her, uncaring of the shock it sends through them. Then you start talking, and everything comes bubbling to the surface, bursting through any kind of mental dam you might have had in the way. "Mom, I-I see these... ghosts, around me, and they tell me that I need to eat people, and they keep taking over parts of my body, they made me kill one of the aliens, and I'm scared, and I think I'm going crazy and I just don't-" Your mother hugs you, and you stop talking. For a moment, you almost feel better, like things might not be as bad as you thought they would be.

Then she says six little words that bring it all crashing down.

"I know. I have them too."

Your brain just stops, and you find yourself at a loss of... everything.

"Honey... I don't have long enough to tell you. I'm too hurt."

"... No. No, no, no, I can't lose you too, not now, please!" You cry, tears streaming down your face at the prospect of living the last chain to a life of normalcy you have. She pulls herself close, holding her lips near your ear.

"Don't fight it." She whispers. "You can't fight being an Oppenheimer. It's like holding back a tidal wave with your bare hands, you can't. Just... let it in. Let us in."

"What? What do you mean, 'let us in?"

She doesn't reply. You feel her weight on your shoulder, unsupported as her hand slips off your shoulder and her body collapses on you. You shift, and she flops into your lap, her eyes looking up at you.

Her eyes are unfocused. Glazed over.

"... Mom?" You ask in a tiny voice.

... Oh god.

Dead. Both of them.

You sit there, just waiting for it to hit you that your mother and sister are dead, and you couldn't do a damn thing about it.

It doesn't.

You feel... hollow. Almost numb.

Almost.

Except for one, tiny, traitorous thought.

"You know what she meant by 'let us in.'"

"No."

"It doesn't have to be goodbye. It never has to be again. Is this not a blessing?"

"Why? Why are you trying to make me do this?!" You yell at the monk, tears blurring your eyes for a moment, obfuscating the true number of apparitions surrounding you. Then, in a moment of pure clarity, you realise there are hundreds around you, looking directly at you with entirely blank faces. Then, as one chorus, they explain to you the truth of them.


"We are the dark half of the world."
Of you.

Of us.

There is no difference. You begin to laugh. Eight words. Eight words, and suddenly everything makes sense. It's a revelation, your need to consume others so simply explained by the fact that you're...

You are the dark half of the world.

It doesn't have to be goodbye. Your mother all but requested you do this. How can you say no? You look down at the corpses of your mother and sister, and an alienfamiliarwelcome hunger rises within you.

As the sun rose over the ruins of a house and a family, you consumed them --completely-- so that their souls might live forever within you.

You loved them...

So how could you not?
 
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Well, goodbye restful nights of sleep.

I appreciate the work you put into this, but this was deeply disturbing.

I'm sorry, I can't bring myself to give this a like. I wish we had a tag for something as unsettling as that was, so...

Have a Kira getting hit by an ambulance:


I'm sorry you feel that way, though you'll be happy to know that that's the only part of that I intend to write out. For what it's worth, as much of an exercise in OHGODWHY horror as it was for myself, I was... viscerally uncomfortable writing that, in a way that very few things manage to make me feel. And, as much as I love Joseph Oppenheimer, he's genuinely one of my favourite comic book characters even outside of that series, I... no, I couldn't keep that up by myself. I genuinely would need to open it up to, well, an Armsmaster Quest kinda dealio so other people would have to do most of the creepiness. Still, I needed to get it out of my head so I could focus on other things.

Still, you bring up a good point and I've put a small warning in the threadmark title and a spoiler before the start, and a promise that there is very, very little in the canon of this quest that could possibly reach that level of horror, if anything at all. Still, the next one's gonna be a lot better!

... Well. Less Lovecraftian cannibal horror, at any rate. 'Better' might be pushing it.

If it disturbs enough people, I may just take it down for the sake of saving people their ability to sleep and not putting people off my stuff.
 
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Interlude: Oak Brother, 1-2
Mild delay, courtesy of the chaos of starting a new quest, but it's here now, and I think I have the beginnings of a schedule set out, though it will require me starting yet another thing. This set of stuff is getting released in more bite-sized chunks for reasons, and the next progressive update will be up on Saturday Sunday Monday Tuesday Wednesday Thursday.

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The rain won't stop.

You can't remember how far you've both walked, but the rain doesn't seem to have let up since the start of your journey, and you're numb enough that all you can feel is your sister held against your chest, carrying her as best you can, shielding her from the worst of the rain with your body. You feel bullet-sized globs of water hit your back over and over again, drumming a rhythm into your spine that does more to numb it than the cold ever could.

Your legs hurt. Your lungs hurt. You can barely breathe normally, let alone in that special way that numbs your pain, makes it just a little easier to walk, to run, to keep going.

Your sister's heavy.

But you have to keep going. You can't stop. Or you won't start again.

For a moment you forget why you're carrying her, then you hear her wheeze and remember. She can't breathe properly either. You know she should be able to do that breathing thing that makes you glow and feel better, but there's something wrong with her lungs and you can't find anyone to help her and she can't walk and oh god she's dying she's going to die and you can't do anything about it and you're going to be next-

"Hm? Ah, little boy?" You hear a voice calling out, and turn to find an old man approaching you. He's dressed well, holding an umbrella high to protect against the rain, holding it higher to accommodate you and the girl in your arms. "What's wrong? Is she ok?"

Such genuine concern is foreign to you, and for a moment, you forget how to respond. Then everything comes back to you and you can't help but blubber and cry and choke out a few words about what's wrong before you focus and manage three full words.

"Please... help her..."

With that, and the small spark of hope that someone's finally going to be able to help Daria, you just...

Decide... to take a... a small nap...

"Eh? Boy? Are you... oh Lord-ah, uh- ah! Yes, hello, I need an ambulance at..."

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Albrecht tells you something when you say you won't fight tonight.

"You fight, or she fights."

You stare at him with nothing but contempt in your eyes, before his gaze slips off you and onto your sister.

Never an overt threat. Just... a look. An implication. Weighing up exactly how much entertainment her battered, broken body on the ground after a fight would bring his, 'clientele.'

'She fights. She doesn't win. Whatever they do to her afterwards is your fault.'

You feel your sister huddle behind you even further and it takes everything you have not to feed him what few teeth he's got left, shackles or no.

"I'll fight." You grind out, and his demeanour changes instantly.

"Wonderful! Well, follow me!" He exclaims, turning on a dime in his shiny shoes and walking off down the hall in an almost imperious manner, like some kind of ancient king or emperor.

You don't follow. When he turns and sees you still there, he raises an eyebrow.

"What? Changed your mind?"

You wordlessly jingle your wrist at him, gesturing to the shackles chaining you to the wall.

"... Ah, right." He says almost as if he forgot about it, and gestures to the armed guard outside your cell. "Unshackle him, will ya?"

The guard moves towards you, a middle-aged man with a paunch that belies some muscle underneath, leaning in as he undoes your shackles.

"You know… while you're out there fighting, your sister cries a lot. Some of the boys have been thinking she might need someone to… comfort her-" He devolves into a sort of breathy chuckling that makes your skin crawl just feeling it on your neck.

You just manage to wait until you feel the shackles fall away from your wrists, and barely a second later, you hit his jaw like an angry god. You're not entirely sure what happens next, but there's a chunk of grey flesh on the ground you think might be the tip of his tongue, a few white chunks that might be shards of teeth, and he's on the floor screaming wordlessly and covering his mouth with his hands. You can already see the blood welling between his fingers.

You stand up and follow your warden, sorry, sponsor, dragging the guard by the leg out of the cell, away from your sister. You can hear him scrabbling at the floor to get away from you, trying to kick you away, but you just ignore him.

The man who threatened to throw your sister into a cage match watches you with an uncertainty in his eyes.

"Sometimes, you just have to make a point." You say, answering the question he's not asking.

You punctuate that by lifting the man's leg further and slamming his leg into the concrete floor, shattering his kneecap. With that, you let go and walk on, leaving the pervert to squeal like a rabbit caught in a trap.

You know you shouldn't be smiling at that. But you feel your lips tug upward anyway.

"And for future reference, the deal was 'you fight, and nobody lays a hand on your sister.' Since your memory seems to be failing you, I thought you could do with a reminder." You mention smoothly as you pass him.

Somewhere in the back of your mind, subconsciously, something begins to happen. This trickles down- up?- to your conscious mind as a feeling that you just made the one man capable of ruining your life very, very angry.
 
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Okay, gonna guess the character is a pit fighter for some Terminus warlord. Are you seeing up a new squad member, or perhaps some other important future character?
 
I mostly don't know what's happening but it's interesting
The Pulp Fiction school of thought on writing has two main pros and cons to it as far as I can see:

On one hand, it leads to a disjointed story, which means each scene really needs to stand on its own even if the entire thing can be patched together at a later date, but on the other, it also means I don't really need to think about each scene as part of an overarching story- I can just focus on making each scene as good as it needs to be. And unlike Pulp Fiction, this is only going to be focused on one character, so it won't be as disjointed. It basically means I can just focus on scenes as and when I feel like it, instead of worrying too much about how every little thing flows, which is a load off my back.

On the other hand, I still don't know what the fuck Pulp Fiction was about, and I've seen it at least half a dozen times.

Okay, gonna guess the character is a pit fighter for some Terminus warlord. Are you seeing up a new squad member, or perhaps some other important future character?
... I mean, I am setting up an important character.

He might be important in the future too, but I'd say he's pretty important right now too.
 
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Hiding Things From A Policewoman Has Never Been So Helpful. To The Policewoman, I Mean.
... It was a calculated risk, actually naming the day this would be up on, but man I'm bad at math.

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You do the first thing that comes to mind when you need to fix a problem very quickly.

「Pearly Gates.」

Why fix what ain't broke, right?

Take the handkerchiefs, get rid of them, now.

The alien figure of your Stand materialises directly behind you, and you shift ever so slightly closer to Cesare, pressing the side of your hips against his, obscuring both signs of your gang membership and letting Pearly Gates snatch them so fast that you're pretty sure you have rugburn. The sound of space-time being torn a new one is music to your ears, and soon you're left with the self-assured satisfaction that you're not going to be taken in for wearing gang colours.

If you had to judge how long that took, you would probably say about three seconds. In reality, it took less than one.

Adrenaline, man. Helluva drug.

You move back, and the Carabinieri blinks. She seems confused for a second, staring at the point where your colours were.

"Ma'am? Is something wrong?" You ask her innocently.

You see the uniformed cyclops begin to mouth something, before she closes her eye and shakes her head.

"N-nothing. Just... been up way too long." She says after a moment, sounding as tired as she looks and no doubt feels.

You affect a sympathetic look in her direction.

"Must be hard." You say, almost believing the sympathy in your voice. An idea occurs, and you take hold of one end of your Mostaccioli, breaking off a handful for her. The chocolate inside is still melted, the almonds still hot, the smell divine. You restrain yourself well enough to ask her if she wants a piece.

"... Sure, I could do with a sugar rush right now." She says, taking the offered piece from your hand, the slight skin on skin contact sending streamers of electricity through your fingertips. She takes a small bite of the pastry and closes her eyes as the taste hits.

"Mmph." She hums a little, immediately looking better.

Sugar, man. Helluva drug.

"So," she says around her mouthful of cookie, "you said you knew this, 'Fireball Bruno?'"

Cesare, who up until that point was looking quite relaxed, was trying his best not to look like a deer in headlights.

"Uh-"

"Yes dear, why don't you tell the nice Carabinieri woman everything you know about Fireball Bruno?" You ask casually; as if you aren't asking him to turn snitch.

"Wh- I- do I not get a say in this?!"

""No."" You and the Carabinieri say almost simultaneously.

Cesare is the deer now.

Realising he has no choice in the matter, he starts breathing again, taking one deep, barely Hamon-toned breath to calm himself.

"... I talk, you heard none of this from me, ok?" He says after a moment.

"This conversation never happened." The Carabinieri says with the ghost of a smile on her face, taking another bite of her chunk of cookie.

"... Alright. Fireball Bruno works for the Verdura as, something like a loan shark..."

Oh, yeah, you should actually try this stuff.

"I dunno his turf exactly, but I know it's somewhere down by the river..."

You take a bite of the cookie stick, wincing slightly as your teeth struggle to make their way through, but they eventually do, and oh god you're in heaven this is what heaven is like nothing is going to beat this ever-

"... Or he visits with a bottle of grain alcohol..."

The dough! Dense and chewy, still warm in your hands and in your mouth, the slight taste of honey coating your palate, laying the foundations for something more!

"... See, he uses Hamon to enhance the flames, directing it into something more like a thermal lance than a fire-breathing trick..."

The filling! The chocolate, dark, almost bitter on your tongue, complementing the creaminess of the almonds, fresh, barely toasted from the baking, tasting so slightly of cherries... such a three-dimensional flavour!

"... And last I heard, he hangs out at..."

This is the best thing you've ever tasted! It's not just a conversation, it's like a whole damn nightclub in your mouth!

"... He hangs out where?" The Carabinieri asks.

Wait, what? Why's Cesare stopped talking?

"... What's the plan?" He asks after a moment of thought.

"Excuse me?"

"What. Is. The plan? I tell you where he hangs out, what happens?" He asks again without a hint of fear in his voice.

"Why do you want to know?"

"Because Bruno is a psychopath who doesn't give a shit about hurting people, on top of being a fucking human dragon, and I want to know that giving you this information isn't going to get people hurt!" He half-yells, immediately wincing as he realises his mistake. People hear things.

The Carabinieri starts a little at the sudden yelling, before growing silent.

"... I... I understand your fears." She ventures quietly after a moment. "I understand why you're so hesitant. But we need this information. We don't want blood on the streets any more than you do, and the information you've given so far is invaluable in making sure we can keep it that way." She says gently, walking closer and placing a hand on his shoulder.

It would almost be comforting if she wasn't three inches shorter than Cesare. Suddenly the whole act becomes a little funnier to you. You watch her head just slowly pan up to Cesare. You hear him snort a little, leaving the Carabinieri blushing a little harder.

"A-anyway-" She says, taking her hand off his shoulder. "- I promise that nobody will get hurt when we go to take him in. That's a promise."

Cesare goes quiet again. He's very obviously weighing things up in his head.

You... kinda feel bad for causing him this much conflict, honestly.

"... Piazza Roffredo. It's not too far from here. He's usually there in the late afternoon." Cesare admits after a moment.

The Carabinieri works her Omni-tool over for a moment and you see through the back- ah, the wonders of transparent screens- that she's looking up a map of the local area.

"... Got it. Thank you for your cooperation, sir." She says, closing down the holographic interface and finishing off her third of the cookie stick.

"I'd say 'anytime,' but I'd be lying."

That gets a genuine chuckle from her.

"That's fair. Anyway, I should get back to patrolling. You two stay safe now, ok?" She says as she starts to walk away.

"You too."

She waves, before turning to walk away, only to immediately turn back on the next step.

"Oh, one more thing- you two haven't seen a stray dog around here, have you? Kind of large, floppy ears, red coat?"

You blink, unsure if she's joking or not.

"Uh... no, no we haven't. Why?" You say, finally contributing to the conversation in a way.

"Just some reports of one in Chiaia, is all. Right, well, take care now!" She says cheerily as she walks on. You wave, she waves, you say your goodbyes, she says hers, she walks around the corner and Cesare grabs you by the hoodie and pulls you in close.

Not in a nice way.

"What. The hell. Was that." He grinds out between his teeth.

"She saw our colours! I had to do something to get her off our back, and you're the one that said you knew something about him in the first place!" You hiss, keeping your voice down in case the Carabinieri's still in earshot.

"You made me snitch someone out! Screw what happens if they actually try to arrest the madman, if this gets out I am a dead man!" He hisses back, genuine fear in his eyes.

"Hey, I made you do jack shit, dude, that was all you, and it won't get out! Why would she say anything about you?!" You very specifically don't yell, pushing him away as you do. He finally lets go of the front of your hoodie and turns away from you, bringing his hands to his head as if to nurse an oncoming migraine.

Still, he seems... genuinely scared of what could happen.

"... Ok. Ok, at best, she's not involved at all in the trying to arrest him. It doesn't get out who told her, Bruno gets arrested and shanked in jail, the Verdura go nuts trying to find the mole." He stops moving, staring off to the side for a second. Eventually, he starts nodding slowly. "... Ok. Ok! Yeah! That could be worse!"

You grab onto the opportunity.

"Yeah, see? Things are gonna go fine," you try to placate him, "and besides, you have a Stand that's basically your own personal death squad."

The nodding quickens.

"Yeah. Yeah, you're right."

You get the feeling he's currently working on the logic of 'if I believe it hard enough it'll come true,' but it's a start.

It's a start.

"Uh..."

"Hm? What is it?"

"Gioia," Cesare begins to ask, "do you recognise this place?"

You frown, then look around to realise that you...

Don't, recognise this street.

Um.

You don't have the words to explain how bad a thing that is.

As if to compound the bad-thingness of the situation, you hear the sound of laughter and merrymaking around the corner, and as soon as you hear it, the source rounds it and oh for FUCK'S SAKE-

"... You again?" Wallet Douche asks casually. "We have got to stop meeting like this."

"What? Is that the same girl from yesterday?" One of his cronies speaks up.

As they speak, you get the impression that Wallet Douche and his companions- all seven of them- never actually went to sleep. Beyond that, you realise that, at this point, you're probably gonna have to beat the shit out of this guy to get out of here unscathed.

He begins to walk forward, his boys following, and you specifically choose not to move. Cesare looks at you, most likely wondering why you're not moving.

"Looks like it. And she's not running, for once."

"What can I say? Third time's the charm."

By this point, they're starting to surround you. All eight of them are obviously thinking this is gonna be an easy fight, two on eight, but you've had a good night's sleep, you've got Cesare at your back, and... well.

"Oh? For what? Getting beat half to death in an alley?" He points out with a smile on his face.

You most definitely do not wince at all, but you do tense up a little at the implication.

"No," Cesare says, "third time's the charm for kicking Verdura ass."

And that's the smile gone.

"God, I can't wait to see you on the ground." One of his cronies mutters. "Maybe we'll be nice and give you something to remember us by in hosp-"

Barely a second later, Cesare hits his jaw like an Old Testament God. You're not entirely sure what happens next, but there's a chunk of grey flesh on the ground you think might be the tip of the Verdura's tongue, a few white chunks that might be shards of teeth, and he's slammed into the wall, sliding down it and screaming wordlessly while he covers his mouth with his hands. You can already see the blood welling between his fingers.

Well then.

Guess you're fighting.

STAND POWER: 120/120

HEALTH: 96%- No outstanding injuries, just bruises.

Oh boy, here you go assaulting again. So, how you doing this? Stand? Your own two fists? Bit of column A, bit of column B?

Experiment a little if you want, because, I'll be honest here. You basically can't fuck this one up if you don't do anything too stupid.

[] Write-in
Adhoc vote count started by Prok on Jul 8, 2017 at 2:42 AM, finished with 428 posts and 6 votes.

  • [X] It's probably a good idea to not use your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
    -[X] Use Pearly Gates like a suit of armor blocking attacks and making us hit harder, leave them on the floor
    [X] It's probably a good idea to not use your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
    -[X] Use Pearly Gates to make your opponents trip and fall on their faces, then kick the evershit out of them.
 
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[X] It's probably a good idea to not use your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
-[X] Use Pearly Gates to make your opponents trip and fall on their faces, then kick the evershit out of them.
 
[X] It's probably a good idea to not use your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
-[X] Use Pearly Gates like a suit of armor blocking attacks and making us hit harder, leave them on the floor
 
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OH THANK GOD I WAS GETTING WORRIED

your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
-[X] Use Pearly Gates like a suit of armor blocking attacks and making us hit harder, leave them on the floor
You kinda took a bit off the top there. Might wanna fix that.
 
[X] It's probably a good idea to not use your Stands in a blatant way. You don't want those assholes to spread rumors about you and Cesare having strange powers...that cannot be explained as Hamon.
-[X] Use Pearly Gates like a suit of armor blocking attacks and making us hit harder, leave them on the floor
 
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