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Gods of Creation (Riot God Quest)

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I think that sort of pact would be fair so if are creations who we don't control decide to destory the sun then it's not are fault and the guardian won't try and destroy the source instead of the symptom
 
You thought I joked about mahou shoujo, but nay, I was completely serious. First, I will make Crystal Tokyo expy.

[X] Soria Moria, the Crystal CIty
Located somewhere between the Reverse World and the Mundane World, the city of Soria Moria shines with an ethereal light, its sprawling metropolis crafted from gems of every kind and cut. As the iridescent lights of the Mundane meet the infinite possibilities of the Reverse, the city's crystalline spires and facades refract and reflect them endlessly, the resulting kaleidoscope of colors giving birth to marvels that defy the imagination.
In the very center of Soria Moria, a colossal throne towers over the landscape, dwarfing even the kilometers-high skyscrapers surrounding it. This is the true Soria Moria, a shimmering castle in which the rulers of this realm will reside.
For now, this city will be empty, but in the future, it will be home to endless thousands.

[X] Reverse world:
[X] Despair
[X] Create the Palette
[X] Gardener and Winnower, Complexity and Final Shape
[X] Create the land called Opalescence
[X] A healing flower field in the night
[X] Cosmological Brushstrokes
[X] cradles of beginnings:
[X]form lesser elementals
[X] Planet Castella
[X] Create the Corban
 
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Authored:

[X] Cosmological Brushstrokes

Eirsy saw the world and declared its canvas to be ready. But it was too cramped in her opinion. Newborn stars still did not even have enough space for them to fully shine! So the goddess started working with her brush, changing the newborn place once more - now without fear of breaking it. She took the Horizon and redefined its size, making it infinitely remote from the rest of the universe, but at the same time omnipresent – embracing the universe fully and everywhere from a higher dimension. So Hope still could reach things in the cosmos and her dear friend from outside.

However, it created the Gap. An odd and (at first) empty place between the Horizon infinitely far away and its previous limited location - the observable universe edge. Eirsy did not see it as a problem, but as an opportunity to sketch and put some unfinished touches on the new space and time. She took her brush and the laws already existing in the universe, ones which given it potential, and which created borders between the things, and which governed unfolding mysteries... These started to work alongside her. The Gap was an 'undefined' part of the Cosmos in a sense, appearing to be empty with only light traveling through the infinite vastness and darkness.

Nevertheless, if someone with the ability to observe tried to travel the Gap, it would turn into more of a cosmos "underneath their feet" as they travel and things suddenly and insensibly became defined for the distance as long, as light and the ability of the thing to reason allows them potentially see details in the abyss they are looking into. There would always be more matter and places to explore, but it would not exist until someone travels there or looks hard enough to pierce the void. For the road appears under the steps of the one who walks. As a dark forest near the road.

Although the goddess could not stop herself from being a little artistic, she put interesting rules into the properties of the Gap. Rare matter appearing in the Gap, as it turned into defined cosmos, had a chance of having interesting properties or being composed into unique and somewhat ordered structures. Because she was one of arts, crafts, and laws, after all. Although, structures never were more complicated then some ordered pieces of matter and never as big, as the first planet. Even if things has unique and exotic properties sometimes.

The goddess began to add random touches of color and sketches with her brushes and pencils right into the rules of the Gap for it to better generate rare things and places. Each stroke created free possible deposits of matter: gas and dust nebulae, lonely asteroids and their entire rings, random shapes of matter floating in the void of the universe, waiting to be found and used to create other stuff.

Still, she did not proclaim creation for only identical and mundane types of matter to appear. Yes, most of the colors were those of simple rocks, gases, liquids, and powders... but a few of them, perhaps one tenth, were painted in more detail and given special treatment. Mostly, it was just some random attribute given to a simple material. Like an unique asteroid made of gold, which was attributed with things like: holy, malleable, and indestructible, to the metal it was made of. Or a nebula made of ice and water vapor with attributes of: stony and empathetic. A difficult supertask only a god could achieve - create trends and examples for the Gap to define its content, when someone travel it by self or a powerful eye.

It also meant, all of the things born in the Gap (when it turned into cosmos) could potentially be created through some artificial or (more rarely) natural process. Because it's all the same paint of matter and energy for the goddess and now part of reality. It would be boring to conceal the possibility of such wonderful things appearing again in the works of others or on thier own. Although, it doesn't mean creating wonders of this art should be without cost and challenge, because Truths and Mysteries prevail in this world as a law. Otherwise, these materials would not be so unique and rare. On the other hand, the pieces of probability made by the goddess are not only possible combinations of things. Just some she liked the most - it is possible to create other things in a similar vein, if one puts enough knowledge, skill, and thought into a project inspired by her works and paints she 'left' on the Canvas of reality.

(Summary: Cosmos is now potentially infinite - it can procedurally generate more space and material in finite numbers at a time, if one with ability to perceive travels it or gaze hard enough. Everything unexplored and undefined in the universe is the Infinite Gap waiting to be defined and interacted with, dead wilderness of the space which could be filled with sudden wonders or dangers. It's generated contents are simple and dead, but can have interesting properties or be composed in beautiful finite patterns. Horizon is no longer lies withing finite distance in three dimentions of the universe. One should be able travel infinite distance in three dimensions or step into specific higher dimension to actually interact with it. It's easier to do from outside, because from outer persepctive this border is pretty pronounced on the background of chaos.)​
Supported:

[X]form lesser elementals
By @jjjwn

[X] Reverse world:
By @Anemone

[X] Create the Corban
By @MangoFlan

[X] Soria Moria, the Crystal CIty
By @Ralakesh

[X] Despair
By @Redikai

[X] The Vein Weaver: Architect of Flesh
By @Zalkon
 
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Andre Chaos said:
Authored:

[X] Cosmological Brushstrokes

Eirsy saw the world and declared its canvas to be ready. But it was too cramped in her opinion. Newborn stars still did not even have enough space for them to fully shine! So the goddess started working with her brush, changing the newborn place once more - now without fear of breaking it. She took the Horizon and redefined its size, making it infinitely remote from the rest of the universe, but at the same time omnipresent – embracing the universe fully and everywhere from a higher dimension. So Hope still could reach things in the cosmos and her dear friend from outside.

However, it created the Gap. An odd and (at first) empty place between the Horizon infinitely far away and its previous limited location - the observable universe edge. Eirsy did not see it as a problem, but as an opportunity to sketch and put some unfinished touches on the new space and time. She took her brush and the laws already existing in the universe, ones which given it potential, and which created borders between the things, and which governed unfolding mysteries... These started to work alongside her. The Gap was an 'undefined' part of the Cosmos in a sense, appearing to be empty with only light traveling through the infinite vastness and darkness.

Nevertheless, if someone with the ability to observe tried to travel the Gap, it would turn into more of a cosmos "underneath their feet" as they travel and things suddenly and insensibly became defined for the distance as long, as light and the ability of the thing to reason allows them potentially see details in the abyss they are looking into. There would always be more matter and places to explore, but it would not exist until someone travels there or looks hard enough to pierce the void. For the road appears under the steps of the one who walks. As a dark forest near the road.

Although the goddess could not stop herself from being a little artistic, she put interesting rules into the properties of the Gap. Rare matter appearing in the Gap, as it turned into defined cosmos, had a chance of having interesting properties or being composed into unique and somewhat ordered structures. Because she was one of arts, crafts, and laws, after all. Although, structures never were more complicated then some ordered pieces of matter and never as big, as the first planet. Even if things has unique and exotic properties sometimes.

The goddess began to add random touches of color and sketches with her brushes and pencils right into the rules of the Gap for it to better generate rare things and places. Each stroke created free possible deposits of matter: gas and dust nebulae, lonely asteroids and their entire rings, random shapes of matter floating in the void of the universe, waiting to be found and used to create other stuff.

Still, she did not proclaim creation for only identical and mundane types of matter to appear. Yes, most of the colors were those of simple rocks, gases, liquids, and powders... but a few of them, perhaps one tenth, were painted in more detail and given special treatment. Mostly, it was just some random attribute given to a simple material. Like an unique asteroid made of gold, which was attributed with things like: holy, malleable, and indestructible, to the metal it was made of. Or a nebula made of ice and water vapor with attributes of: stony and empathetic. A difficult supertask only a god could achieve - create trends and examples for the Gap to define its content, when someone travel it by self or a powerful eye.

It also meant, all of the things born in the Gap could potentially be created through some artificial or (more rarely) natural process. Because it's all the same paint of matter and energy for the goddess and now part of reality. It would be boring to conceal the possibility of such wonderful things appearing again in the works of others or on thier own. Although, it doesn't mean creating wonders of this art should be without cost and challenge, because Truths and Mysteries prevail in this world as a law. Otherwise, these materials would not be so unique and rare. On the other hand, the pieces of probability made by the goddess are not only possible combinations of things. Just some she liked the most - it is possible to create other things in a similar vein, if one puts enough knowledge, skill, and thought into a project inspired by her works and paints she 'left' on the Canvas of reality.​

(Summary: Cosmos is now potentially infinite - it can procedurally generate more space and material in finite numbers, if one with ability to perceive travels it or gaze hard enough. Everything unexplored and undefined in the universe is the Infinite Gap waiting to be defined and interacted with, dead wilderness of the space which could be filled with sudden wonders or dangers. It's generated contents are simple and dead, but can have interesting properties or be composed in beautiful finite patterns. Horizon is no longer lies withing finite distance in three dimentions of the universe. One should be able travel infinite distance in three dimensions or step into specific higher dimension to actually interact with it. It's easier to do from outside, because from this persepctive this border is pretty pronounced on the background of chaos.)​
Supported:

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Want to trade supports? If not that's fine
 
Ok, I want to ask: "Am I the only one, who decided to make universe less cramped or there is already some other solution?" - because I want to make universe procedurally generated to solve it, with a touch of artistic vision and changes to the place called Horizon.​
 
Added an extra detail to Corban: They possess long tough claws that easily dig into rock and ice, which they use to dig cave dens or dig up treasures.

Also, can I get others to vote for my Act?

While I for the Corban to be a sentient race, I can settle for them being more akin to wild animals. I spun them off from kobolds as inspiration.

@Mannan, on which planet do the Land of Ice and Fire and the Primordial Ooze Pool exist?
 
MangoFlan said:
Should I add that to my act?
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I don't know. Maybe not and leave it for Augustus to find and figure out? He wants to create life - maybe he would be able to produce some edible life for them, if he finds them. Motivation.​

Edit: For example, make it so he finds them early on. Could be an interesting story.
 
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[X] The Vein Weaver: Architect of Flesh

The Vein Weaver is a terrifying figure, standing roughly 10 feet tall, with a skeletal and sinewy body that appears to be in constant motion. Its body is a patchwork of organic materials - flesh, bone, sinew, and chitin - that move and writhe as if alive, of its own accord. The skin, if it can be called that, is a pale, translucent membrane through which the pulsing veins and twitching muscles can be seen. Its limbs are elongated and multi-jointed, ending in long, bony fingers with needle-like claws that it uses to precisely weave flesh.

The Vein Weaver's head is a terrifying mix of insectoid and humanoid features. It has several eyes of varying sizes scattered across its skull, each glowing with a cold, calculating light. His mouth is a vertical slit lined with rows of razor-sharp teeth, but he rarely speaks, instead communicating through telepathic whispers that invade the minds of those around him.

A mass of tendrils and thin, muscular appendages grows from his back, each capable of independently manipulating organic matter. These tendrils are covered in tiny, retractable spines that can inject various substances—tissue-breaking enzymes, DNA-altering mutagens, or growth-boosting stimulants—into his creations.

The Veinweaver has immortality and unrivaled mastery of biomancy, allowing him to manipulate organic matter at the cellular and genetic level. He can weave flesh, bone, and other biological materials to create new creatures or alter existing ones. His creations are often grotesque, amalgams of multiple species with enhanced features or entirely new abilities.

Driven by an insatiable need to create, the Vein Weaver cannot remain idle for long. He constantly seeks out new raw materials - animals, plants, or even the bodies of the dead - to fuel his creations. This compulsion is tied to his ultimate goal: the creation of a perfect race of believers who will worship his Maker and help further spread his influence.

The Vein Weaver's most powerful ability is "Weaving," a ritual process in which he uses his tendrils to infuse raw materials with his essence, transforming them into new life forms. Weaving is not simply a physical process; it also involves implanting thoughts, memories, and a deep-seated belief in the Maker into the minds of newly created beings.

The Vein Weaver exudes a mutagenic aura that can subtly alter the biology of beings around him. Over time, these changes become more pronounced, with beings in his immediate vicinity developing new physical traits or mental abilities. This aura also acts as a form of control, making creatures more susceptible to the Weaver's influence.

P.S As always ready to trade votes

Supported:
[X] Cosmological Brushstrokes
By @Andre Chaos

[X] The Crucible of Life
By @ShieldCrown

[X] The Far Shore
By @Dinfinity

[X] forest of beast and Dryads
By @szymonmolitoris2

[X] Gardener and Winnower, Complexity and Final Shape
By @Tzaphquiel

[X] Reverse world:
By @Anemone

[X] There Shall Be Ends: While ridding all things of quantity failed, letting the memory of the world waste itself on things without meaning is even worse. Let the Gap overcome any roads carved upon it with undefinition the deeper the traveler seeks infinity. Let the Horizon slowly thin out until only Night remains.
By @Starman

[X]form lesser elementals
By @jjjwn

[X] Create the Atlas Ledger
By @We Just Write

[X] The Starborn:
By @VaguelyLeft
 
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ShieldCrown said:
snip
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I am also thinking about wrapping the box in gift paper and paint it with shades of divine beauty, which would conceal its true nature, and then deliver the package as an anonymous gift to someone. Maybe event to the Vein Weaver. And observe the new story unfolding.​

Tzaphquiel said:
Gardener and Winnower, Complexity and Final Shape
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Hmm, I am not sure what does it actually mean. I feel, like we already have something similar?
 
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Zalkon said:
[X] The Vein Weaver: Architect of Flesh

The Vein Weaver is a terrifying figure, standing roughly 10 feet tall, with a skeletal and sinewy body that appears to be in constant motion. Its body is a patchwork of organic materials - flesh, bone, sinew, and chitin - that move and writhe as if alive, of its own accord. The skin, if it can be called that, is a pale, translucent membrane through which the pulsing veins and twitching muscles can be seen. Its limbs are elongated and multi-jointed, ending in long, bony fingers with needle-like claws that it uses to precisely weave flesh.

The Vein Weaver's head is a terrifying mix of insectoid and humanoid features. It has several eyes of varying sizes scattered across its skull, each glowing with a cold, calculating light. His mouth is a vertical slit lined with rows of razor-sharp teeth, but he rarely speaks, instead communicating through telepathic whispers that invade the minds of those around him.

A mass of tendrils and thin, muscular appendages grows from his back, each capable of independently manipulating organic matter. These tendrils are covered in tiny, retractable spines that can inject various substances—tissue-breaking enzymes, DNA-altering mutagens, or growth-boosting stimulants—into his creations.

The Veinweaver has unrivaled mastery of biomancy, allowing him to manipulate organic matter at the cellular and genetic level. He can weave flesh, bone, and other biological materials to create new creatures or alter existing ones. His creations are often grotesque, amalgams of multiple species with enhanced features or entirely new abilities.

Driven by an insatiable need to create, the Vein Weaver cannot remain idle for long. He constantly seeks out new raw materials - animals, plants, or even the bodies of the dead - to fuel his creations. This compulsion is tied to his ultimate goal: the creation of a perfect race of believers who will worship his Maker and help further spread his influence.

The Vein Weaver's most powerful ability is "Weaving," a ritual process in which he uses his tendrils to infuse raw materials with his essence, transforming them into new life forms. Weaving is not simply a physical process; it also involves implanting thoughts, memories, and a deep-seated belief in the Maker into the minds of newly created beings.

The Vein Weaver exudes a mutagenic aura that can subtly alter the biology of beings around him. Over time, these changes become more pronounced, with beings in his immediate vicinity developing new physical traits or mental abilities. This aura also acts as a form of control, making creatures more susceptible to the Weaver's influence.

P.S As always ready to trade votes

Supported:
[X] Cosmological Brushstrokes
By @Andre Chaos
[X] The Crucible of Life
By @ShieldCrown
[X] The Far Shore
By @Dinfinity
[X] forest of beast and Dryads
By @szymonmolitoris2
Click to expand...
Click to shrink...
Zalkon said:
[X] The Vein Weaver: Architect of Flesh

The Vein Weaver is a terrifying figure, standing roughly 10 feet tall, with a skeletal and sinewy body that appears to be in constant motion. Its body is a patchwork of organic materials - flesh, bone, sinew, and chitin - that move and writhe as if alive, of its own accord. The skin, if it can be called that, is a pale, translucent membrane through which the pulsing veins and twitching muscles can be seen. Its limbs are elongated and multi-jointed, ending in long, bony fingers with needle-like claws that it uses to precisely weave flesh.

The Vein Weaver's head is a terrifying mix of insectoid and humanoid features. It has several eyes of varying sizes scattered across its skull, each glowing with a cold, calculating light. His mouth is a vertical slit lined with rows of razor-sharp teeth, but he rarely speaks, instead communicating through telepathic whispers that invade the minds of those around him.

A mass of tendrils and thin, muscular appendages grows from his back, each capable of independently manipulating organic matter. These tendrils are covered in tiny, retractable spines that can inject various substances—tissue-breaking enzymes, DNA-altering mutagens, or growth-boosting stimulants—into his creations.

The Veinweaver has unrivaled mastery of biomancy, allowing him to manipulate organic matter at the cellular and genetic level. He can weave flesh, bone, and other biological materials to create new creatures or alter existing ones. His creations are often grotesque, amalgams of multiple species with enhanced features or entirely new abilities.

Driven by an insatiable need to create, the Vein Weaver cannot remain idle for long. He constantly seeks out new raw materials - animals, plants, or even the bodies of the dead - to fuel his creations. This compulsion is tied to his ultimate goal: the creation of a perfect race of believers who will worship his Maker and help further spread his influence.

The Vein Weaver's most powerful ability is "Weaving," a ritual process in which he uses his tendrils to infuse raw materials with his essence, transforming them into new life forms. Weaving is not simply a physical process; it also involves implanting thoughts, memories, and a deep-seated belief in the Maker into the minds of newly created beings.

The Vein Weaver exudes a mutagenic aura that can subtly alter the biology of beings around him. Over time, these changes become more pronounced, with beings in his immediate vicinity developing new physical traits or mental abilities. This aura also acts as a form of control, making creatures more susceptible to the Weaver's influence.

P.S As always ready to trade votes

Supported:
[X] Cosmological Brushstrokes
By @Andre Chaos
[X] The Crucible of Life
By @ShieldCrown
[X] The Far Shore
By @Dinfinity
[X] forest of beast and Dryads
By @szymonmolitoris2
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Click to shrink...
I am warning your creation in advance don't touch my forest. Out of quest good act and a nice way to spice things up
 
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