[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.
 
[ ] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.

[ ] A young knight, strung up at a crossroads, bound in thorns and covered in thousands of tiny, bloody pinpricks.
...hm. So option (2) seems to be depicting Avenger directly, but...
When she opens her eyes, you can see they're a deep, vibrant purple, as breathtakingly beautiful as the rest of her.
...even leaving aside Fate Gender Shenanigans, option (1) doesn't seem to fit. Except...
Far from the amused smile she typically wore, her lips are drawn into a tight frown, the deep purple of her eyes looking almost red in the flickering firelight that illuminates the glade.
...hm.
Finally, as this Noble Phantasm reflects "Saber's truth" rather than "objective truth", it possesses a curious side-effect for Servants who have no true basis in legend, or created through the fusion of Phantoms. In recognizing these beings as individuals and eschewing whatever legend empowers them, Saber inadvertently provides Servants of these varieties with a stronger foundation in the world, granting a significant boost to the stability and power of the created being—an unexpected implementation of this Noble Phantasm that Buné has thoroughly taken advantage of in the creation of his Servants.
and my thorny princess here was proof positive that my Phantom experiments could bare fruit.
...HM.

Okay, theory time. I don't know enough Fate lore to know what Phantoms are in general, but this seems to be indicating that Avenger is some kind of fusion, and I'm betting that the red-eyed individual in option (1) is one of the non-Briar-Rose components of that combination. Option (2) on the other hand seems more likely to provide another perspective on the backstory we already got from Avenger, and I have no idea what option (3) would do. Personally I think I'd most like to try & get some definitely-new information here, so:

[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.

Also would be cool if someone more knowledgeable about e.g. what a Phantom is in this context could help clarify if my theory has any plausibility or if I'm wildly off-base here.
 
...hm. So option (2) seems to be depicting Avenger directly, but...

...even leaving aside Fate Gender Shenanigans, option (1) doesn't seem to fit. Except...

...hm.


...HM.

Okay, theory time. I don't know enough Fate lore to know what Phantoms are in general, but this seems to be indicating that Avenger is some kind of fusion, and I'm betting that the red-eyed individual in option (1) is one of the non-Briar-Rose components of that combination. Option (2) on the other hand seems more likely to provide another perspective on the backstory we already got from Avenger, and I have no idea what option (3) would do. Personally I think I'd most like to try & get some definitely-new information here, so:

[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.

Also would be cool if someone more knowledgeable about e.g. what a Phantom is in this context could help clarify if my theory has any plausibility or if I'm wildly off-base here.
Phantoms are, in a general sense, stories. Much like Heroic Spirits, Phantoms are the figures borne from those stories, with an important exception: They are not existences enshrined upon the Throne Of Heroes. They are in some way or another lesser. Phantoms have been known to be fused together, or even into Heroic Spirits, although the results of doing such have been known to vary. In Fate/Grand Order, we have a few examples:
Morairty fused himself with the Phantom of Der Freischulz, The Freeshooter. Doing so bolstered his statistics, modified his Noble Phantasm, and changed his Class to Archer from Caster.
We also have the case of Hessian Lobo, who is a merger of two Phantoms that is... functionalish. A Rider formed from the merged Phantoms of the Headless Horseman/Hessian soldier from Legend Of Sleepy Hollow, riding upon the back of the wolf Lobo from Wild Animals I Have Known, a book of questionably realistic short fictional stories about wild animals. Lobo was said to have killed over 2500 cattle over 5 years, and also slain 250 sheep in a single night without eating them. Hessian Lobo later has the phantom of Jack Griffin The Invisible Man added on, which render them invisible, absurdly evasive, and changes their Class to Avenger.
Shakespeare and Hans Anderson later summon the Phantoms of some 200 detectives to combine their powers to take down a final threat, that being Moriarty after absorbing the power of a Demon Pillar.
Those are the ones that I can recall off the top of my head, anyway.
 
Phantoms are, in a general sense, stories. Much like Heroic Spirits, Phantoms are the figures borne from those stories, with an important exception: They are not existences enshrined upon the Throne Of Heroes. They are in some way or another lesser. Phantoms have been known to be fused together, or even into Heroic Spirits, although the results of doing such have been known to vary. In Fate/Grand Order, we have a few examples:
Morairty fused himself with the Phantom of Der Freischulz, The Freeshooter. Doing so bolstered his statistics, modified his Noble Phantasm, and changed his Class to Archer from Caster.
We also have the case of Hessian Lobo, who is a merger of two Phantoms that is... functionalish. A Rider formed from the merged Phantoms of the Headless Horseman/Hessian soldier from Legend Of Sleepy Hollow, riding upon the back of the wolf Lobo from Wild Animals I Have Known, a book of questionably realistic short fictional stories about wild animals. Lobo was said to have killed over 2500 cattle over 5 years, and also slain 250 sheep in a single night without eating them. Hessian Lobo later has the phantom of Jack Griffin The Invisible Man added on, which render them invisible, absurdly evasive, and changes their Class to Avenger.
Shakespeare and Hans Anderson later summon the Phantoms of some 200 detectives to combine their powers to take down a final threat, that being Moriarty after absorbing the power of a Demon Pillar.
Those are the ones that I can recall off the top of my head, anyway.
Hm, okay. So "Avenger is a fusion of some kind" seems likely correct but what she's fused with could be basically anything?
 
In general, looking over what Bune said, we've had signs all along of what he's been doing. And quite possibly why there have been so may Servants present.
First, Bune started with summoning a corrupted Jeanne D'Arc. The method by which he summoned her in particular is likely related to his... assimilation, I think of Gilles De Rais. In addition, as a Knight, Gilles could then lead townsfolk to this central location under the guise of 'escaping' the dragon witch. Once they were gathered, Jeanne Alter lit the Pyre with her Pyromancy, and it was fed human flame. At some point, Carvaggoi was summoned, and he was brought into Bune's fold. Though it seems he was not brought in willingly; I wonder if the initial use of his Self Preservation skill was actually to prove to Bune that he was worth keeping around. Bune, learning of Carvaggio's Noble Phantasm, kept him around.
Meanwhile, Bune also experimented with fusing Phantoms together. While Red Riding Hood isn't a proper Berserker on her own, the fusion of Phantoms gave her a Spirit Origin proper, possibly via merger with Goldilocks? She might require maintenance of some sort however, being labeled as a failure. Melusine was produced in a similar fashion, which is likely the source of her Alter Ego status. Typically, Alter Ego isn't so much a Class as a state of being. An Alter Ego is literally part of an entity that has been separated, and often, does have a class of it's own. Melusine, being a Phantom fused with at minimum Echo, possesses no such class beyond the qualifications for Caster. And seeing as this is the Melusine from being banished post Avalon, then it's a very particular part of her legend fused with others; An Alter Ego of Melusine proper. Matchstick, finally, is basically his Magnum Opus. As Bune put is, she is able to block the outside world, and might be reinforcing the Phantom fusions across all of france by blurring the lines between reality and fantasy.
As far as Avenger goes, she doesn't seem to be anything of note as far as Bune is concerned. She isn't a powerhouse like Melusine is to him, she isn't warping reality like Matchstick. Avenger is just a proof of concept for him. Briar Rose herself isn't a terribly big figure in Sleeping Beauty; In fact, most versions have practically completely passive. If there is any connection to Galahad, I can't find one off the top of my head.

It does seem possible that Carvaggio's Noble Phantasm might have momentarily empowered Edward during their duel, but even so, he did have to push himself practically to the limit to win the fight. I just hope that his recovery is swift enough to fend off Avenger. Goemon is also around somewhere, but heck if I know what he's doing. He was mentioned as vocalizing in the update, but that could be anything from him asking support to confirming that he's handled the bears. Hope that he's doing alright though; Breaking out the Kage Bunshin is probably pushing what his Ninjutsu skill can do before he ends up taking penalties from it.
 
Pushed for an answer, you can't help but think about it.

Are you a man, or are you a vessel?

The question resonates with you in ways you didn't expect, didn't have the time or energy to think about when Caravaggio posed it to you the night before. Perhaps he'd thought you'd have more time to ponder, or perhaps he'd simply lost patience. Perhaps he'd simply realised that you'd be dead if he hadn't intervened, and he wasn't going to stomach that before he got his answer. You consider it, but after a moment you realise it doesn't matter.

Are you a man, or are you a vessel?

It's a familiar question—Caravaggio just asked it differently. A vessel is little different to a spare at the end of the day, after all. Neither worth anything beyond a beating heart and a working mind, both an afterthought compared to the real thing.

Are you a person, or are you just a spare?

View: https://www.youtube.com/watch?v=sb3tHsCLWsI

La Morte Della Virgine: Darkness Illuminating Reality (Anti-Unit – C)
Saber's sole Noble Phantasm, the crystallization of a lifetime pursuing naturalism in his paintings and a refusal to idealize even the great Christian figures his contemporaries depicted without flaw—to go so far as to paint the holy as meek and poor.

In order to activate this Noble Phantasm, Saber must observe the subject to his satisfaction—a timeframe dependent solely on Saber's own impressions and temperament, though usually relatively short with the aid of Saber's Tenebrism. Once this condition has been met, Saber is capable of invoking it upon the target, calling forth a surge of darkness from his right arm that envelops them and the area around them, altering their vision to view the world in the extremes of light and darkness that Saber painted in life. However, this is merely an aesthetic effect, the true nature of this Noble Phantasm manifesting moments after invocation.

Echoing Saber's own rejection of the ideal in favor of the natural, this Noble Phantasm forcibly rejects the idealization and lionization inherent in a Servant, peeling away the layers of legend to reveal the figure beneath. When used upon those legends from centuries past whose own power and prowess far eclipse what can be manifested as a Servant, or when used against those who are wholly inhuman, this Noble Phantasm is effectively useless, as it cannot reduce the true strength of the subject. However, when used upon a Servant who has been empowered far beyond what they were capable of in life, it becomes a devastating debilitation. Parameters are forcibly lowered to the level the target possessed when alive, and any and all Noble Phantasms and Skills not intrinsic to the target are forcibly sealed for the duration of Saber's Noble Phantasm. There is no way to resist this effect once it has been enacted, though Saber must maintain close proximity or it will fade. Aside from this, only Saber's own will or death can dispel this forcible reminder of humanity.

Finally, as this Noble Phantasm reflects "Saber's truth" rather than "objective truth", it possesses a curious side-effect for Servants who have no true basis in legend, or created through the fusion of Phantoms. In recognizing these beings as individuals and eschewing whatever legend empowers them, Saber inadvertently provides Servants of these varieties with a stronger foundation in the world, granting a significant boost to the stability and power of the created being—an unexpected implementation of this Noble Phantasm that Buné has thoroughly taken advantage of in the creation of his Servants.
lmao Caravaggio approaching Galahad like "POV you are going to Brazil"

And if I'm not mistaken this also means that he could tag Melusine with his NP and reduce her to a crying wojak instantaneously so I hope it happens.

If you fight like Shielder, taking in all the information around you, formulating a plan as you listen to Buné outlining his own, thinking about how you can fix everything—you'll die. But you've only had to do that since the disaster a few days ago. Before that—

You approached every job assuming you'd be on the back foot—it was prudent, even if it usually wasn't true. Your magecraft is weaker compared to what you could put out before, your binding curse won't work for long against any Servant with Magic Resistance, and no matter how hard you push you can't Reinforce yourself to his level. Get distracted and you're dead, get thoughtful and you're dead, get shaken even a moment and you're dead. Think of nothing but victory, nothing but survival.
I get what this is about but I have to also have a little bit of a giggle about the fact Ed has been a Demi-Servant for like three days and he's still like TailsGetsTrolledFace.jpg upon being depowered. Galahad Steroids are a hell of a drug I guess.

You let out a breath and the world dims around you, the shadows that cast you and Caravaggio in their burning light helping you to tune it all out. The chains around your right arm loosen just a little, your blade still held tight, and when Caravaggio charges once again you hold your ground. His sword traces a silver arc in the dark light of his Noble Phantasm, a slice aimed once more for your throat, and when he's just a single step away from you the earth around his feet shifts as your circuits thrum with power. You can't pull off anything like the wall you did back at Orléans, but you don't need anything that flashy. Three inches of uneven footing is enough to throw off his aim, and you dive in under the strike, preparing for the follow up you know he's fast enough to make. It comes in the form of a fist whistling through the air from your right, nothing remotely as gentlemanly as a duel would imply, but that's fine. Playing dirty is your style.

You're not fast enough to deflect it with your blade, so you don't even bother, swaying backwards out of the way and throwing your arm up, chain unravelling and winding around Caravaggio's arm and making him grunt in surprise. You don't give him time for more than that, diving to the right and yanking him off balance once again before releasing him—if he gets a proper grip on the chains, you're dead. Even now, his blade is whistling towards you in retaliation, but it's a clumsy strike. You've earned a single moment of weakness, and you intend to capitalize on it. Moving low to the ground, you dart in close and stab upwards with the blade in your left hand, close enough that Caravaggio can't avoid it fully. The moment you feel the tip cut into his flesh, you send a surge of mana through, the binding curse racing to paralyze the artist just as quickly as his Magic Resistance starts to purge it. For a split-second, he can't move—but you still can. You let go of the blade to reverse your grip, plunging the knife deeper into Caravaggio's side before wrenching it out with a twist as you duck backwards just in time to avoid the blow he sends your way.

You're breathing hard and fast, lungs burning and throat rubbed raw, watching as Caravaggio raises his hand to his side, lifting it and staring at the crimson-covered flesh before giving you a savage smile. He doesn't speak, but he doesn't need to. You know exactly what he's thinking—that's more like it. You hear voices again, Buné's grandiose bragging from without and Goemon's sharp tone from within, but you tune them out without hesitation. You've drawn blood, but the fight isn't nearly over.

He moves and you move with him, drawing up everything you have and more as you clash with a legend made flesh. The next time your magecraft shifts the earth, Caravaggio leaps at you instead, committing himself to the air and thrusting towards you with a downward stroke that scores your side and makes you hiss with pain. In return, you call on the air to sheathe your blade in cutting winds, taking advantage of the artist bracing himself for the curse to simply slice deeper into his arm and dart past him rather than follow up. The inky limb bleeds black ichor, but Caravaggio's grip stays firm as he approaches you once more. Again and again he strikes, and again and again you sway and weave, whirling chains coiling like serpents as you manipulate their paths—he's seen how they work, but the ever-shifting direction from which they strike towards him takes him a split-second to react to, and a split-second he's not trying to kill you is a split-second you're still alive. You duck low again to avoid the high strike he aims at you the moment he slips through your guard, but he expected the move—you're met with his rising knee, and you have to wrench your body to the side to avoid it smashing into your face, instead taking the blow to your shoulder. It feels like being hit with a sledgehammer, even rolling with the blow you worry that he's shattered the bone with a single strike, but you got lucky—it's dislocated, not broken.

You throw yourself to the ground half to slam your shoulder back into place and half in a desperate attempt to avoid his next strike, taking a worryingly deep cut to your leg in the process, and as soon as you do you have to roll to the side to avoid him plunging his blade through your neck. The force of the blow shatters the cobble beneath it and you grab a handful of fragmented stone on your way to your feet—he saw you, his eyes dropping to your fist as he raises a hand to cover his eyes—exactly what you'd hoped for. Gravel slips to the ground through your fingers as you lunge forward, and you see Caravaggio's eyes widen in shock at the sudden swerve in your tactics. The man is an excellent duelist, enough to see how it is you really fight when stripped of your Servanthood and predict you after just a few clashes—but a duelist and an Enforcer are not the same thing. He spent his life learning how men fight, the style with which they wield their blades, how to dissect it and respond to it in instants.

You spent your life learning to kill things stronger, faster, and tougher than yourself.

Your eyes lock and you see fire inside his gaze, thrusting his sword forward as he wrenches his hand towards your own, ready to bat aside your right blade as you go for the obvious strike to his gut, but it's not that one you raise. Shock flickers through Caravaggio's eyes as you bring your other blade up to deflect his rapier, his steel biting into your own as you catch the blow along its edge, pushing it out so it cuts a deep furrow in your cheek rather than skewering you. It feels like a physical pain as you watch Caravaggio's sword carve a centimetre-long chip in your blade, but you know you won't get another chance—you can't waste this one. With one blade occupied, and Caravaggio ready to deflect the other, you do the only thing you can.

Drawing your mana right to your skull, you slam your head forward, smashing your forehead into his nose with a crunch.

The impact makes you see stars even with your eyes closed, but Caravaggio's howl of pain is too real to be bait—there's nothing left for you but to do it. You let go of your blade and slam your fist into his outstretched arm as hard as you can from below—the joint bends unnaturally just long enough for his grip to weaken—you wrench your chain away with the rapier still caught in the blade while Caravaggio takes a step back to try right himself and you spin the thin sword and thrust forward—

The tip of Caravaggio's rapier emerges from the back of his shirt with a wet hiss, the silvery steel stained a deep scarlet with the painter's blood. You don't need to look to know you pierced his heart, and as the shadows begin to burn away, their baleful light replaced with the dull oranges and reds of the bonfire, you hear Caravaggio laugh, a wet noise thick with blood.

"So that is how you fight, Edward Dempsey."
based

though with all of ed's dirty tactics it's a missed opportunity that he didn't put his boot straight in caravaggio's dick smh that's a servant's third weak point you know

Mana gathers around Marie, raw power growing so dense it could be nothing but a Noble Phantasm, and from your position on the ground you watch as her back splits apart—no, as bloody garnet tears through her skin, growing from her spine and twisting into shape, colours shifting as the gemstone multiplies like a cancer, bloating out before narrowing into a tapered point, then exploding outwards again. Two narrow branches of crystal emerge and sprout to the side as another bulge erupts from atop the tapered, triangular growth in the middle, and in mere moments it shifts and cracks and flows into something you recognize—Marie's face, bloated and smiling greedily, carved in perfect crystal. The two branches twist in on themselves into long, spindly arms tipped with claws made of diamonds, the crystalline stomach an emerald bulging larger than any other part of the body, and you watch as it splits apart, a vertical line opening into a maw full of ruby teeth, a crystalline sapphire tongue lolling out as Marie speaks, throwing her arms wide to match the gemstone creature growing from her spine.

"Madame Déficit!"

The crystalline caricature howls with pleasure, and you hear Buné scream in rage as the figure begins to tear into the bonfire, flames freezing into gemstones at its touch before that stomach-tongue drags them into the depths of Marie's Noble Phantasm.
damn, marie's true noble phantasm is to become the embodiment of the deepest evil found in the heart of the state - taxes

[x] A young villain, standing over two corpses and howling at the sky.

who is this villain they sound sexy and like they were sad once
 
[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.
 
[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.
 
[X] A young boy sitting at a table too big for him, tawny hair hanging low over his face, almost enough to cover his deep red eyes.
shota galahad. hm, considering ed's magecarft being way stronger in this state can he use reinforcement to make his body even stronger and starts a feddback loop?
 
hm, considering ed's magecarft being way stronger in this state can he use reinforcement to make his body even stronger and starts a feddback loop?
Ed's magecraft is made more powerful by virtue of the fact that he's operating on a Servant's scale now, but all that's really done is raised his floor and ceiling. He can't Reinforce himself to be better at magecraft since that's not really how the spell works.

As a quick reminder, there's about 12 hours left in the voting period.
 
Voting closed, the winning vote was the young boy at the table.
Scheduled vote count started by Squirtodyle on Nov 7, 2021 at 7:25 PM, finished with 23 posts and 13 votes.
 
can he reinforce his his body though?
Edward can Reinforce his body to make himself stronger, faster, more durable, etc. The issue is, while Magic Circuits are part of the Magus, they aren't exactly part of the physical body. From one of the material books (Fate/complete material III), Magic Circuits exist in the Soul of a Magus. So while they ache, burn, and have sensations, Reinforcement of the body would not affect them. And seeing as how Magic Circuits are part of the soul, well... Even in the Nasuverse, messing with the Soul is almost exclusively the domain of True Magic, and would likely require decades if not multiple lifetimes of study for a modern Magus to be able to interact with meaningfully.
TLDR: Magic Circuits aren't part of the body, so Reinforcement of the body doesn't affect them. Messing with the Soul typically goes incredibly poorly.

Edit: If this information is incorrect, I appreciate any and all clarification and correction.
 
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As a quick update, while I do have a good bit of the next chapter done, I'm struggling with some pretty intense writer's block that's being compounded by work getting a lot busier. I do expect this chapter to be up either tonight or tomorrow, but it's extremely unlikely I'll be finishing France before the anniversary comes around, unfortunately.
 
So, not an update in the story sense but an update in the general sense—as you might have guessed, that writer's block didn't exactly get better, due to a multitude of reasons of which the primary one is that work has been getting busier and busier in the leadup to the holidays, and it's drained me a lot. Endwalker coming out has also been a huge hit to my off-work productivity, since writing was unfortunately competing with my favorite game's new expansion which is currently having horrendous queue times, which made it real easy to justify not writing and getting in early so I could play at all. I do have most of chapter 40 written and a defined plan from now until the end of France, and they are coming, but it's slower than I would have liked.

As it's unlikely I'm going to get the update out before a proper break either this weekend or next week when I get my time off for Christmas, I'd like to instead share the other two pieces of art that I commissioned. Apologies for the incoming triple post, but I think each deserves their own threadmark.

Thank you for bearing with me!
 
Edward Dempsey - Estyy


Shielder Edward Dempsey, courtesy of the talented Estyy.

A couple sacrifices had to be made for the sake of making him actually drawable, mostly nerfing his chains to a more reasonable style, but I think they really captured both the idea of Ed as a magus and Shielder and Ed as someone who needs a solid decade's worth of sleep at this point.
 
Archer - FumaFu


Archer, commissioned from FumaFu, who is just phenomenal. I really can't tell you how blown away I was when I got this back, and I really cannot encourage you enough to check out their stuff.

I'm incredibly happy with this piece—it's a fantastic summation of exactly what Archer is, where she's coming from, and why she is the way she is now. I hope you enjoy it as much as I do!
 


Archer, commissioned from FumaFu, who is just phenomenal. I really can't tell you how blown away I was when I got this back, and I really cannot encourage you enough to check out their stuff.

I'm incredibly happy with this piece—it's a fantastic summation of exactly what Archer is, where she's coming from, and why she is the way she is now. I hope you enjoy it as much as I do!
*looks at bloody hand, looks down at bottom right*

There's no shame it in, but not everybody's cut out to be a Doom Slayer. :V
 
Chapter Forty: Truth
It feels like looking through stained glass—everything smudged, blurry, distorted. A memory that doesn't belong to the knight, a story told second-hand and imagined with all the flaws of a copy's copy. Even so, that hair is familiar to you—not a perfect match, but familiar. The red eyes beneath, you've seen those before too, when the woman who called herself Briar Rose stood in the light of the flames.

The boy before you couldn't be more than thirteen, a lavish dinner of meat and vegetables drowning in some fragrant sauce set before him as the dining hall is filled with sound and heat and people, all muted until he can barely perceive them, roar and laugh as they may. Just across the table sat another boy, younger, perhaps seven or eight. The same meal sat in front of him, but where he ate it happily, the older boy merely picked and prodded at his dinner, the knife in his hand used more to poke at the meat than anything else.

He should start to cut the meat soon. Claudas was a kind jailor, but if the boy chose to act out, it wouldn't take much to change that. After all, he had destroyed their lives once before, when they had had parents, friends, an entire castle and a kingdom to go along with it. Even when they had been hidden, Claudas had wormed his way into their lives once again, tore them away from the gentle knight who had kept their secret as their mother's final request before she was forced into exile. In the face of such naked greed and ambition, a simple cruelty such as reminding the boy of his imprisonment would be as easy and effortless as breathing.

The boy hated. Hated Claudas, of course, the man who had plunged them into this nightmare, but such hatred wasn't content with but a single target. It bubbled and seethed inside the boy, latching on to each and every person he could find the slightest justification for. He hated Dorin, Claudas's cruel son, who was as free with his blade and his fist as he was with his foul mouth. He hated Pharien, who had let this injustice happen when he had allowed his wife to have the secret seduced from her. He hated himself for letting this farce continue with a smile, living as a dutiful ward to the man who destroyed his life, solely for the sake of his brother.

The knife in his hand stilled, and he dared a glance across the table.

He would not hate Bors. He refused to. But in the face of this torment, this imprisonment, being forced to look at the man who usurped his father's kingdom and brought about his death through sheer grief and then smile and nod and swear loyalty for when he would inherit Gannes—

All for the sake of a little boy who could not even remember his parents, who had never known what he had lost, what had been stolen from him before his fourth birthday.

The boy's grip tightens, and once more he pokes at his dinner with the knife.

He should start to cut the meat soon, lest Claudas ask if something is wrong.

Dorin is speaking—shouting, really. It's the same drivel as always, except tonight was the celebration of Claudas finally knighting him, and so it seemed his puffed-up chest held inexhaustible breath. Extolling his virtue and prowess, as if he did not spend his time killing men and beasts for pleasure. As if it hadn't taken so long for him to be knighted because Claudas worried he would simply revolt. As if he wasn't a wretch too in love with himself to even consider that he was a monster, just like his father, and that everyone he spoke to knew that.

He should cut the meat soon. Bring down the knife and slice.

Dorin is calling him—never his name, always his title. Prince. A cruel joke, even knowing Claudas intended for him to inherit Gannes once he came of age. The boy ignored him and his jeers, his hatred boiling beneath the skin, young Bors too absorbed in the delicious dinner to pay attention, too young to share the nightmare. The boy said nothing, did nothing, simply allowed the words to pass over and through them as they had done so many times before—

Dorin spoke of the boy's mother, and how she was likely spreading her legs for a room and food.

Dorin spoke of the boy's father, and how he was burning in hell for his cowardice and weakness.

The boy gripped his knife tighter.

Rising to his feet, he lunged forward, too fast for anyone to stop him, too fast for Dorin to do anything but open his eyes wide as he saw the glint of steel.

The boy cut the meat.

Hot, wet blood stained the boy's finery, splattered across his face, but he didn't blink. He watched Dorin's eyes bulge as his hands went to his throat, far too late to stop the blood that flowed like water, listened as he gurgled and choked as he sank to his knees, breathed deep as the scent of copper flooded the room a heartbeat before the screams did.

He looked at Claudas, at the man's shocked face, and he smiled.

The boy and his brother were whisked away after, the Knight of the Lake had said, transformed into greyhounds and spirited away to live with the faeries, with him. He and the boy had become sworn brothers there—they had already been cousins twice over, it was no grand leap. He told the story mournfully, regretfully, as though he might have done something to stop it despite being no less a child.

He simply could not hate the person that little prince had become, no matter what he did. Not him. Not—


Avenger whips her hand back like she'd been stung at the same time as you wrench yourself away, just barely keeping yourself from smashing your face in as you slam down to the ground hard and cough up what little air you'd managed to hold onto. You can feel Shielder's powers at the edge of your consciousness, enough so to show you that vision of Avenger's past, but it keeps slipping away at the last second—and even when they return, what can you do? Your lungs burn, your muscles ache, the bleeding has yet to stop from the wounds that cover your body and above all else, the burn from your circuits is intense enough to distract you from the bonfire's heat. You may be empowered, but you won't be healed. Even so, you need to move. Avenger and Caravaggio are close by, you're lucky they haven't struck already—all you need to do is find the strength to move, just a little, but the adrenaline is wearing off and your borrowed powers aren't returning fast enough.

The noise of clashing swords and roaring flames and surging spells echoes inside your skull, and you summon everything you have as you try to move. One push raises you off the ground, arm shaking like you're in the midst of an earthquake, and then another herculean effort rolls you up onto your back—and that's it. Your strength fails you again. You can't move.

"Master!"

"Archer, wait—!"

Archer's voice cuts through the chaos, cuts through Circe's voice, and a moment later your circuits flare once again, the roar of Archer's thunder drowning out your groan of pain. A heartbeat passes and she's at your side, and you barely catch a glimpse of her purple eyes wide with worry before your vision smears into a blur and your aching body rockets through the air in her arms. You land with her on top of the roof you saw Goemon and Niamh on as you fell, your sister immediately kneeling at your side as Archer sets you down, saying something but you don't, can't pay any attention to them, to her. You need to know what happened after your duel with Caravaggio, need to know how things are playing out beyond the half-blurred glances you snatched as you collapsed.

The swirling torrent of barely restrained hunger demands your attention first thing, and for just a moment it's all you can do to take it in. The creature's stomach alone dwarfs Marie, and even from this angle you can see the wild grin on its face as it devours the bonfire—not satisfied simply with inhaling the mana directly, but crystallizing the flames themselves into burning rubies that it gorges itself on. Even now, the sheer hunger tugs at your strength—if Jeanne hadn't used that Command Spell, you don't know how long you'd have lasted. Marie staggers under the weight, head bowed low, but she doesn't kneel, and she doesn't falter. Giving in to the Madame Déficit would be worse than death for her.

"Stop her!"

Buné's voice roars out in almost hysterical rage, and you watch as he plunges his hands into the bonfire. Tongues of flame wrap around his arms before sinking inside them and you realise he's trying to absorb what he can—but even from this distance, you can tell he's too slow. Faced with the embodiment of endless, senseless gluttony, not even a demon can compare.

It doesn't stop the others, though.

Melusine makes no movement at all, but it's a small mercy as you realise just why Circe called out to Archer. The two had been keeping Jeanne Alter at bay together, but when Archer left to rescue you, she left Circe to fend for herself. Spears of ice form and lunge at the corrupted saint as fast as Circe can speak, but as the bonfire dims it seems like Alter's flames grow more and more intense. They consume her sword, extending every swing and forcing Circe on the defensive as the whiplike blaze whirls around her, and from the sword they spread further and further, burning across the black chestplate of her armor and down her other arm until it too is consumed, transformed from a limb clad in armor to one clad in flames, her hand sheathed in, replaced by an enormous burning claw. Circe is powerful, versatile, skilled beyond measure—but she isn't meant for this, and Jeanne Alter knows it.

"Outta my way!"

You open your mouth to order Archer back into the fight—she hasn't left your side, hasn't let you go even after setting you down—but it's too late. The next volley of icicles Circe creates evaporates before she can launch them, and the flickering cyan shield she conjures up a heartbeat before Jeanne Alter slams the fiery claw straight into her stomach is all that saves her. You cry out her name as she goes flying, crashing through one, two, three buildings in a row before finally coming to rest, and all that stops you rushing to her side is the slow trickle of mana you feel flowing from your soul to hers—that, and the fact that Archer's grip grew tighter when you started moving.

The dark saint doesn't pay you any heed, whirling to face Marie and grinning a savage grin, her teeth growing sharper until it echoes Buné's shark-smile, drawing her sword back to her side and grabbing the blade with her claw, the flames bleeding red, then purple, then deep, all-consuming black. All that stands between her and Marie are Sanson and Gilles.

The knight and executioner clash again and again—Gilles taking the advantage with each and every flash of his blade. It's hard to tell whether it's down to Buné's empowerment or Sanson's loss of his arm, but it doesn't matter as long as the outcome is the same. Every clash pushes Sanson back an inch, every deflection and block coming slower from the last. Even so, he stands, teeth grit in a determined snarl as he sends Gilles's blade skyward with a grunt of effort, stepping forward and slamming his shoulder into the knight's chest. All it does is push him back a few steps and force him to let out a surprised grunt, but it's enough. Sanson gained back the ground he lost.

"Move or die Gilles!" Jeanne Alter snarls as the heat from her blade grows so intense you can feel it even from this distance, and with a roar the draconic knight slams his blade down against Sanson's once more, their swords held in trembling hands as each puts more and more force into the clash, locking them together without moving a single inch.

"You heard her." Gilles's voice is a quiet rasp, calm and collected despite the situation. He doesn't move an inch, and neither does Sanson.

"I stole her life once. Paying my own to keep her safe is a fair trade." Behind him, Marie flinches just a bit, turning as best she can to look at him in horror—but Sanson doesn't see. "I will not allow you—allow anyone to harm Maria while I draw breath!"

"I see." Silence, for just a moment. Then—

"Jeanne, do it."

There's no time between the words and the roar of flame, the blackened saint thrusting her blade forwards as the torrent of hellfire rushes forth, black as sin and hot enough to make your eyes water. You watch as the cobblestone beneath is consumed and sublimated in an instant, watch as the air itself catches ablaze before the lesser flame is devoured by the unholy conflagration. The bonfire has shrunk, dimmed, but not enough—if the fire reaches them, Gilles, Sanson, and Marie will be consumed utterly, but what can you do about it? None of your Servants besides Circe can defend against something like that, and without your powers you'd need a miracle to save them in time.

"Dumas!"

One moment, there was nothing between the firestorm and its victims—and then Jeanne appeared, armor shimmering brighter than ever, her standard set against the ground as the flag began to unfurl. At her side materializes Dumas, pen flicking rapidly across the heavy book he carries in his hand, a magnificent smile on his face as he looks up at the saint and gives her a nod. In the instant before the flames strike, he whispers something—something drowned out in Jeanne's roar.

"Luminosité Éthérée!"

Jeanne's flag unfurls with a blinding rush of pure, golden light, so bright and intense that you have to shield your eyes. It meets the oncoming darkness of her Alter's flames and splits the inferno clean in two, the black flames carving twin burning trenches to either side of the bonfire. It lasts only a moment until you see Jeanne's face again, but you recognise the way she trembles, the way sweat beads down her neck, the near-manic look in her eyes—she held out against a sea of destruction, just like you did in Fuyuki.

"Jeanne!"

Marie's voice pierces the stunned silence of the battle, and right before your eyes you watch as she plunges her hands deep into the bonfire, heedless of the heat and the pain and the sickening stench of burning flesh. It begins to crystallize faster, the gemstone veins spreading further and further, and though he howls and screams his rage, Buné cannot stop it. He tears away his hands just in time to escape them being consumed by the gemstones, left to watch as the bonfire crystallizes completely—only to shatter into a million tiny rubies, a scarlet rain refracting the morning sun into a billion fragments of scarlet light. For a split second, your world sparkles crimson, and then the Madame Déficit gives one last greedy gulp, inhaling what's left of the bonfire and licking its stomach-teeth with that gemstone tongue. Once its meal is done, it lets out a monstrous scream of triumph before it too begins to shatter, the caricature vanishing so the true queen may take her place once again—panting with exertion, the skin of her hands burnt away and leaving only skeletal ruby claws beneath, but standing tall nevertheless.

Where once laid a fire stoked with thousands of souls, there was nothing—only ashes in the wind and scorch marks on the stone to mark that Buné's trump card had ever existed.

There is a moment's peace before the dragon begins to roar.

Buné's skyward scream of rage swells in intensity and power until it feels less a sound and more a force, a physical thing pressing on you from all sides as if to crush you with the sheer force of his wrath itself. It's an ugly, brutal sound, a cry born of purest anger, enough to make you all flinch away—even the saint. When he drops his head once again, those black-and-scarlet eyes are wide with rage, flicking between each and every one of you, the draconic demon seemingly trying to figure out who to vent his anger on first.

"Buné?"

Gilles speaks, his voice quiet, and seals his fate.

"YOU! FAILURE!"

A sound fills the air—like glass breaking, but sharper, more painful. One moment, Gilles de Rais stands with his eyes wide, staring at Jeanne Alter, and the next he collapses to his knees. You see her watch dumbly as Gilles's head bursts into scarlet flames, his sword clattering to the ground as Jeanne and Dumas take a step back from the horrific sight. He doesn't scream, doesn't speak—there is no noise at all, save for the crackle of the flames. He slumps forward and hits the ground with a dull thud, and the flames grow more and more intense, consuming his skull until nothing remains—and then darting back towards Buné, coalescing in his outstretched hand. It isn't hard to understand what it was, not after seeing how Gilles survived Sanson's blow. Buné's blessing, his "head", torn away the instant Gilles had failed him.

"You—!" Jeanne Alter whirls, sword held at the ready as she lunges at Buné, but she can only manage a single step before she freezes in place, eyes bulging in her skull as her flame-clad arm wraps itself around her throat and tightens its grip. He rounds on her, footsteps scorching the ground beneath him as he thrusts his hand forward and shoves the poisonous scarlet fire into her stomach.

"You do not get to talk, you miserable little thing. I created you, I made you out of that idiot's delusions, and you belong to me. You will speak when I tell you to, do what I tell you to do, and nothing else!"

She fights it—you can tell. The power she'd already had mingles with the power Buné forces on her and she fights it with everything she has, but it's useless. The whites of her eyes slowly fade to pitch, and even from the distance you're at, you can see them shift from human to reptilian. She stills once again, seizing up and letting out a sharp hiss, before her stance relaxes and she turns to face you all—eyes empty, expression utterly blank, and even Jeanne takes a step back at the sight. What Buné had done went beyond a simple Command Spell—if he was telling the truth about what she was, if she really was a fake he had created, then he'd snuffed her out just as easily, made her an extension of himself, just for daring to snap back at him.

The thought makes you sick.

Sparks fly from behind his teeth as his chest heaves, his rage burning so hot he's practically panting from the sheer intensity. His demonic eyes flick back and forth, searching for a new target, and as soon as they land on you he freezes. With Archer's arms still wrapped tightly around you you can't move even as familiar strength starts to flow into your limbs, the exertions of your battle with Caravaggio feeling slightly more distant as Shielder's power returns—but you can't defeat Buné. Not like this, not as you are now. Escape is the only option.

The thought to kill you crosses his mind, you can practically feel it, see the way his clawed hands curl, see the tension in his muscles—but then he laughs, his razor-sharp teeth glinting in the morning light as he shakes his head and just laughs. The manic flash in his eyes is still there, you can practically feel the rage rolling off him like a heat-haze, but he's found something funny in the situation, something funny enough to not gut you right there and then.

"You…oh, you poor little fool, you thought you had me! You really, really thought you did it, didn't you? That you could just waltz up to my perfect plan and ruin it all—that I'd be helpless if you ruined my blaze, didn't you? Didn't you!?" One of the eyes set in his chest opens wider, writhing against its confines, but a moment later it seizes up and stops in place. "Let me tell you a little secret, Chaldea. Oh yes, I know who you are—Bael was very eager to broadcast his success!"

The name makes your breath catch in your throat, and from the savage grin Buné gives you you know he could hear it.

"You haven't beaten me—you can't beat me, you miserable human filth. You can't. All I have to do is start over…oh yes, the forest will make nice kindling, all the souls trapped there…all I have to do is burn it once again and this, this meaningless setback will be nothing but a bad memory." His breathing starts to return to normal, his fury residing as he raises a hand to clutch at his skull, massaging it with slow, gentle movements. "Each and every one of you is going to die, and then I'll just do it all again, make myself new toys, make sure they won't break this time, won't disobey. And—and you know what? You know what? Even if you did kill me it wouldn't matter."

He brings a hand to his chest, the eyes of his fellow demons glowing scarlet as he does.

"The Goetia are many but our power sings to that of our brethren—we can't be killed the same way you wretches can. Someone would find me, us, and they'd just take up our power. And if you tried to hide us away, we'd find your precious Chaldea and burn it to cinders. Do you understand, Chaldea? Do you? Do you?" The gleam in his eye turns spiteful, his reptilian visage twisting into a cruel approximation of a smirk. "Even if you "won", you'd still lose. You can't beat us. You can't beat me. Especially—"

He whips his head round to Jeanne, standing beside Dumas, and his lips curve up to reveal a few more teeth.

"Especially not with her. You've been a very poor excuse for a saint, Jeanne. You should know I wasn't fooled for an instant."

She doesn't move, doesn't blink, doesn't breathe. Buné is relishing this, relishing the confusion—everything is back in his control now. Everything resting in the palm of his hand, everyone dancing along to his tune. His tantrum is over—now it's all about punishment, about revenge. About putting his toys in their place.

Beside you, Niamh shudders softly.

"Your words will not sway me, demon. The Lord is with me." Jeanne lifts her standard towards Buné, the white-and-gold flag fluttering softly in the wind, her pale armor resplendent in the gentle morning light. Her voice is strong, but there's—something. She stays close to Dumas, who doesn't vanish into spiritual form despite the threat. Her breath comes quicker than usual, her gaze focused but—afraid?

"The Lord was with her. Not you. Never you. Oh, how she must loathe watching you blaspheme while bearing her name—do they know? The silly little playthings you'd have fight and die for the Maid of Orléans?"

The implications aren't lost on you—on anyone. Sanson and Marie glance towards her from the edge of the bonfire's ashen markings, confusion writ on their faces, and just the sight is enough to draw another spurt of cruel chuckling from Buné.

"This, this is why you couldn't ever win. Just one reason among thousands. Your precious little saint was lying to you the whole time—"

"Be silent." Jeanne's voice cuts through the air, but Buné continues.

"Lying! Such a disgusting thing to do, such a human failing! But we don't lie, Jeanne, not us, not the Goetia—we're better than you! Isn't that right, Jeanne? Isn't that right—"

"Shut up!"

"Faker!"


There's no flash of light, no roar as the deception unveils before you. One moment, you see Ruler, wreathed in gentle radiance and standing strong against a demon who had devoured its own kin for power—then you blink, and she is gone. Her armor is simple steel, grey and dull. Her standard bears an empty white flag, the golden symbol simply gone. Her golden hair, so like a halo, is just a simple, ordinary brown. She does not move, does not lower her standard, but you can see the despair in her eyes.

The spell is broken. You know who stands before you—and it is not the Maid of Orléans.

Class: Faker

True Name: Jeanne des Armoises

Stats:-

STR: B -> E
END: B -> E
AGI: A -> D
MAG: A -> D
LCK: C -> D

Skills:-
Faker: A+

Class Skill of the Faker class, and the sole Skill she can claim is inherently her own. A Faker is a mere whisper of a tale, enshrined in the Throne through their impersonation of a true legend. For six years, Armoises presented herself as the true Jeanne d'Arc, convincing enough that even the saint's brothers vouched for her. It was only when she met Charles VII and was unable to tell him the secret that Jeanne had whispered in his ear to convince him she had been sent by God Himself that her ruse was uncovered, so perfect was her disguise.

Faker is capable of disguising herself flawlessly as Jeanne d'Arc in appearance and in Class, and save for her identity being given away by herself or someone else who knows, it is almost impossible to see through this facade. Additionally, due to the high rank of this skill, Faker possesses weaker versions of Jeanne's own Skills as a Ruler—though careful observation may reveal them to be lesser in practice, all forms of direct analysis of Faker as a Servant will find no discrepancies.

Magic Resistance: D
Class Skill of the Ruler class, expressing a resistance to all forms of thaumaturgy. With the exception of sacraments of the Church, Faker can negate the effect of magecraft cast with a single verse.

True Name Discernment: E-
Class Skill of the Ruler class, expressing their capacity to know all participants in the war they are adjudicating. When provided with some form of evidence as to their identity, Faker may, upon passing a luck check, comprehend a Servant's True Name.

God's Resolution: X
Class Skill of the Ruler class, expressing their right to administrate the Holy Grail War. Faker, in truth, does not possess this Skill. The only Command Spells she possesses are for the Servants she has contracted with directly.

Charisma: D+
A Skill representing the capacity to lead and inspire others. Warriors who fight alongside Ruler are motivated to fight beyond their normal limits, raising their performance slightly in battle as long as her standard is in view. Additionally, the information gleaned through Ruler's Revelation Skill is believed as a matter of course by those who already trust her, though those who do not can doubt any information provided by it.

Revelation: D
A Skill that represents the capacity to hear the voice of the heavens, a sixth sense somewhat equivalent to Instinct, but applicable to all circumstances rather than simply battle. Faker is granted vague information as she moves through the world—though it is often incomplete, hard to interpret, or occasionally simply mistaken.

Saint: D
A Skill granted to those recognized as a saint, whether canonized or not. As the impersonator of one of the most famous saints in the Catholic canon, Faker naturally possesses an extremely low rank in this Skill. Faker is capable of performing weak holy sacraments used for offense, defense, and healing purely through her prayer, and is rendered slightly resistant to all forms of corruption or infection as though she possessed an equal rank in Natural Body (Purity).

Noble Phantasm:-

Luminosité Éthérée: May God Be Here With Me (Barrier – C)

Faker's approximation of the unbreakable barrier possessed by Jeanne d'Arc, Luminosité Éternelle. Similarly to Jeanne, Faker is capable of brandishing her false holy flag and converting her Magic Resistance into a barrier capable of blocking all forms of attack.

The strength of the barrier is far below what the true Maid of Orléans is capable of, but interference from Dumas's own Noble Phantasm have strengthened it somewhat, raising the rank of this Noble Phantasm and allowing it to function as a greater defense than it would should Faker deploy it while not under her Caster's influence.

For a moment, the only sound in the city is Buné's mocking giggle. No one speaks, no one seems to even draw breath—Sanson and Marie's expressions are unreadable, and while Dumas squeezes Jeanne's shoulder, his face is set in a determined grimace. What can you say? What can you add to this? Your hope from the beginning had been that it was Jeanne d'Arc that fought beside you, a genuine saint to battle a demon. Now—now you know the truth. She's just an imitation, someone wielding power that doesn't belong to her.

Aren't you the same?

The thought makes you laugh despite yourself—a simple, single bark of bitter amusement, but Buné notices. Ugly rage darkens his gaze again, but he's committed to his facade of control even as he twists the knife as much as he can—instead of lashing out, he gives a regal wave.

"Avenger. You were close beforehand, you managed to trick this simple-minded, wannabe knight—the honor is yours. Kill him."

Your gut twists in on itself as Archer pulls you closer, your gaze flicking towards Avenger and bracing yourself for her to raise her blade and—

"No."

"...What did you say?"

"Are you so in love with your own voice that you've become incapable of hearing another's? I refuse." She looks at Buné, not you, but you can see the scorn in her eyes, hear the contempt in her voice. "You are an evil creature reveling in the suffering of the innocent. You have bound me to your will twice thus far, forced me to dishonor myself with lies and deception—rotten though I am, you disgust me."

"You…you—!" Buné's eyes bulge and his chest swells as his rage once again takes hold, brimstone and ash clogging your senses as his throat flickers with burning light—but instead he simply raises a clenched fist, the scarlet markings of his contract shining on his scales.

"By the power of my Command Spells, I order you—all of you but Avenger, return to the forest this instant."

Jeanne Alter, Matchstick, Melusine—they vanish in a flash of crimson light, Melusine's wordless cry of protest cut off after a heartbeat. All that's left is Avenger, standing resolute with her head held high before Buné—and Caravaggio, sneering over at the creature as he clutches the hole you put through his chest and chuckling to himself as he sways on his feet.

"H-Hahahah, you fucking fool. Forgot how to count to three with me, did you? Hah!"

You can practically hear the near-metallic screech from Buné grinding his teeth, but it doesn't matter. None of it matters now, really—all that matters is the escape. The flight. You need some way to make it happen, some way to fix it—

Marie.

It's a struggle to force yourself not to look at her, to avoid giving away your desperate idea, but you can't risk Buné figuring it out, not when he's throwing this tantrum, not when he's distracting himself. Your strength has returned enough that you can squirm out of Archer's grip, enough that you can fight just for a bit—if you time this right, you can do it. Below, Buné is still roaring.

"All of you—all of you are worthless. Meaningless. If you'd just done as I said, just obeyed me, then I wouldn't have to do this—this is all your fault. Your mess to clean up! Even if I have to force you."

You can feel the Command Spell coming this time, feel the condensed miracle practically screaming to be let loose—and you make a choice.

<"Archer, Goemon, get Circe, get everyone together, and get Marie. I'll buy some time—when she has her carriage ready, we'll escape.">

<"Master!">

<"You—">


You cut off the connections, summoning your shield and leaping forward—if you can distract him for a few moments, you can salvage this.

"Wait!" Niamh's voice follows you, and you can't cut it off like you can your Servants'. Fortunately, Goemon does it for you as he drags her away. "Ed—!"

As you land your body screams out in pain—your legs burn and ache, your throat is still raw, but you stand nevertheless. You stand, Avenger staring at you with an inscrutable expression, and you make sure that Buné is focused on you and you alone.

He sneers at you.

"Pathetic. What can you do like this, human? You're—you're a wretch. Not even worth dirtying my own hands."

You don't know if Goemon is doing as you ask—already, you can feel Archer lunging towards the battle instead of away. You don't know if this will even work—Marie might not have enough mana to use her other Noble Phantasm. You don't know if you'll even survive long enough to escape—you're facing down a demon who claimed the strength of three of his fellow Goetia.

You try to hit him anyway.

Buné shoves your shield away with contemptuous ease and you can't keep your balance enough to retaliate, stumbling back from him just in time to watch as a casual wave of his hand incinerates the winding thorns Avenger sent rocketing towards him. Archer leaps past you, her inch-long talons sparking with electricity, but Buné simply leans out of the way and grabs her arm as she passes, squeezing hard enough you hear bones crack before whirling on his foot and throwing her across the square. You don't have time to worry if she's okay, not with Buné right there, so you simply charge him again, aim the base of your shield right towards his head and—

You hit, you think. You feel resistance at least, but after a moment of surging hope, you see what's really happened. Even with the thick steel in his mouth, Buné can grin, his razor-teeth glinting as he scrapes them against your shield. Avenger lunges at him from behind and he simply dissolves into flames, reforming a few feet away from you, and you only barely raise your shield in time to block the kick he follows up with, strong enough to lift you off the ground and send you sailing backwards half the length of the square.

It hurts like hell—you can taste copper again, your throat raw and burning, but he's still focused on you.

"Want to die at my hand anyway, little Shielder? I don't blame you, really, I am the one who will win this war—but I thought I made myself clear. You don't deserve that honor." He raises his fist as he twists to look at Avenger, his voice dripping with malice."Enough distractions."

<"We're ready to go, Eddie!">

Goemon's voice flashes through your mind like a bolt of lightning, and immediately you relay the situation to Archer at the speed of thought, begging, pleading with her to retreat. You can sense her wavering for a moment, wanting nothing more than to stay by your side, but her obedience wins out over her need to protect you. The pull on your mana falters as she enters her spiritual form, and you prepare for the moment Buné is distracted enough that you can simply run. You can feel Marie's carriage weaving itself into form, you know that you're not far—this can work. This will work.

<"Master, I've returned to them—please hurry up!">

"With my final Command Spell, with the breaking of our contract, I order you, Avenger. Use your Noble Phantasm!"

Avenger gives a pained cry, and you falter just for a moment, just for an instant. You glance back at her, something raising in your chest at the sound, at the sight—and then Buné is in front of you, flames raging behind his twisted smirk.

"Now now. No running."

He wraps his claws around your arm and simply flings you aside, tossing you around like you're nothing. You land on your back hard enough to drive the air from your lungs, and for a moment you stare up at the sun above—then twisting, winding thorns raise up all around you, overlapping and choking their fellow vines until the light cannot penetrate it. You hear Archer cry out in your mind, but that too is cut off in an instant—in moments, as you stagger to your feet and raise your shield to try protect yourself, the only two people in the world are yourself and Avenger.

She is knelt on the ground, her hands clasped around the hilt of her sword as thorns erupt from it, piercing through her gauntlets and eagerly feeding on her blood, and when she raises her head to look at you with her beautiful violet eyes, you see for just an instant the barest whisper of regret.

"...So be it. This was not the outcome I desired, Sir Edward, but it was sure to happen all the same. The rotten tree tests the hero's resolve—perhaps Buné's idea of a joke." She shudders, crimson lightning arcing around her as Buné's final order, and the look in her eyes as she glares at you keeps you fixed in place—not that you could move much regardless, not with your injuries. That lousy excuse of a battle with Buné was the limit for you.

"I well and truly hate you, Edward Dempsey. I loathe it all—your kindness, your loneliness, your sickening heroism—I loathe everything about you, for they are the qualities that lead him to choose you." Despite her words, her lips curve into a small smile. "The purest of us all. The most peerless of us all. Fear not, Edward Dempsey. Have faith in the judgement of Sir Galahad."

The name rips through you like a bolt of lightning—the final remnants of your ignorance torn away in an instant, the connection inside you surging as she names the man who gave you your strength—revelation searing the pain from your body as you stare at her in shock, wordless and frozen still. The brambles that surround you shudder, whether from their growth or from something outside, but in your trance you can't think about a single thing besides her gentle voice and the words she speaks.

"Have faith. The painter is an irritating man, but he is perceptive. Sir Galahad has made a good choice. You are yourself a good person, Edward Dempsey. A hero, who must fell the villain to claim their rightful place as a champion of virtue." She closes her eyes, her smile growing wider, and you take a step forward before you can stop yourself. "So come now, O knight of Chaldea. Come do what is righteous—put an end to me, to the hatred that gouges my heart like a thousand thorns. Prove that you are worthy, or be slain by my hand."

"Wait—"

"Prove yourself as worthy as my brother." Avenger's eyes snap open, glowing a fierce scarlet. "I am Sir Lionel de Gannes, bestowed with the power of Briar Rose. I have slain the innocent and holy alike, solely that I may whet my blade with my brother's blood, that I may claim vengeance upon him for what he did to me! Come, hero, and slay this villain!"

She raises her head skyward, mana surging, and speaks—

"Briar Rose, Castle of Thorns!"

Thorns erupt from the ground, endless brambles surging forth, and as they pierce your skin you find yourself fading away—your eyelids heavy, your bones weary, your body too heavy to move. Before you, dark, diseased wood pierces through Avenger's torso and begins to drink of her blood, the foul tree growing moment by moment as her eyes drift closed once more—a rotten tree growing out of her sleeping body. Your own eyes drift shut involuntarily, and for a moment all you can feel is the writhing vines around you, your exhaustion so complete you can't even feel the pain of the thorns—

And then, nothing.

—​
You wake to the sound of brush on a canvas.

Your eyes flicker open as you let out a groan—your aches and pains have returned with a vengeance now that you've awoken, and then you realise—you've awoken. You aren't dead. Your arms are covered in tiny punctures, your body still battered from your fight with Caravaggio, but you're alive.

"Get up, you lazy excuse for a muse. If I wasn't already nearly done, I might have decided to paint someone else!"

Caravaggio's voice makes you jump, pressing a hand to the ground to push yourself up—and immediately you feel a half-dozen thorns pierce your skin, a surge of drowsiness sluggishly flooding your body before it vanishes just as quickly. You recoil on reflex, trying to catch your bearings, and what you see barely helps. You're surrounded on all sides by Avenger's brambles and vines, wound tightly into a sealed "room", the thorns interwoven so flawlessly that light can't pass through them. It's only the flickering candle next to the painter's stool that illuminates it enough for you to see, and even then Caravaggio hogs the light for himself, his brush slashing and slicing across the canvas with the sort of speed and precision that only a true master could bring to bear. There's a single opening along the "wall", tall and wide enough for you to walk through, but it leads only to darkness.

"How are you—" You turn to Caravaggio, looking for an explanation, but he cuts you off.

"No time, Edward, no time! I must be quick—you made sure of that, oh you most certainly did! Hell of a fight, hell of a fight…"

He should be dead—you pierced his heart. But the man had not finished his work, and you almost smile at the absurdity of it all—if ever there was someone who would not die until the last brushstroke had set, it was him.

"Quickly now—I don't have much time, and neither do you. You have a job to do, after all.. Ask away, whatever it is you wish to know. I'll answer as I work."

You can't feel any of your connections, and though you woke this time, you can't be sure that you'll do it again should you fall asleep once more. Even so…

You can't ignore an offer as straightforward as that.

[ ] He'd known about Avenger, that much is clear enough—why didn't he tell you? Why didn't he explain who she was?

[ ] Buné was powerful, without question, but not infallible—Caravaggio has to know something about him, anything at all. Anything to help.

[ ] It's selfish, especially after the revelation you've just had, but—you have to know. Why you? Why did he see you, and not Galahad? Why did he want you to be his muse above any of the others?
 
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Not dead!

To tell you the truth, writing is hard work, and sometimes as much as I want to I flatly can't. Not being able to finish France by my self-imposed deadline of November 24th messed with my motivation, and after that we had busy work for the leadup to Christmas, multiple infections and self-isolations due to my family members getting Covid, a bunch of personal stuff and things I wanted to work on as well, and finally just the sheer daunting pressure of trying to continue something that was now months late.

I'm keeping up the story, and from now on I'll be looking to get more regular updates, but I'm more than aware that that might not end up happening. Even so, thank you for sticking with me on this, and I hope you enjoy! Nothing's gonna convince me to really truly drop this, so however long it takes, it'll definitely be back.

Hope you all enjoy!
 
[X] It's selfish, especially after the revelation you've just had, but—you have to know. Why you? Why did he see you, and not Galahad? Why did he want you to be his muse above any of the others?
 
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