Onmyodo Monogatari (Japanese Heian-era fantasy)

Created
Status
Ongoing
Watchers
76
Recent readers
0

Welcome to the land of Japan, in a time of peace and prosperity. Here, the court of the Imperial...
The very first.
Location
Denmark

Welcome to the land of Japan, in a time of peace and prosperity. Here, the court of the Imperial family stands proud backed by the legions of courtiers, and the foundations are being laid for all the culture to come.

The center of the world is, of course, the capital, Heian-kyo.

Here the emperor holds court, and here the upper classes live. Their lives are lives of peace and leisure, dominated by poetry and art, by secret lovers and, of course, by struggles for power, influence and prestige. Here, neither power nor prestige comes by the sword or by military might, but from the strength of your poetry, the sighs of your lovers and the refinement of your taste.
The current state of the court is one of merriment, but also melancholy. Buddhism, once a foreign religion, tells us that all things must pass, so even as they enjoy themselves and distract themselves, they cannot help but know that their pleasures too, must end, and that the order of the familiar soon will pass, as it always has. . Poetry and literature are at an all time high as new theories are tested everyday, and courtiers compete to show off their skill at poetry, literature and Chinese.


Noblewomen and proud servants of the state are not the only thing that lives in this great city. Spirits and demons small and large roam, causing create mischief or fortune as their whims drive them. Wicked curses are available to the highest bidder. That's where the noble Onmyoji of the Bureau of Divination serve. While monks and miko might claim otherwise, these wizard-priests are best lines of defense against these assaults on the realm and its nobles.

Perhaps this is why the nobles of court have increasingly taken to consulting and hiring Onmyoji, both to curse one another and to protect themselves from such foul deeds.

You are a child born into the ranks of the refined nobles of the Heian court, a child born with a special gift. No matter your gifts, however, family comes first; your parents will shape your life and your skill, and make demands of you.
Your mother will shape your life, of course, for it is in her household you will grow up, whether she has a house to call hers or still lives at the estates of her parents. Perhaps your father lives there too, if he is her husband, or perhaps he is simply a visitor or a lover, but whatever the case, it matters little. And make no mistake, your mothers connections and skills can be as important as your father's.
And your father, whether your mother's husband, boyfriend or simple lover, will of course pass down his name to you, rank in the complex system of the court, and whatever connections and aid he might have to give, as well.

Who is your mother?
[ ]:

Kamo no Kuroki, the daughter of Kamo no Yasunori. Kuroki herself is a poet and author, a courtier of middling rank, but some fame. In her youth, she suffered a horrific pox, a curse brought on by the enemies of her father. As the daughter of Kamo no Yasunori, she is born into one of the foremost onmyoji families, as Kamo no Yasunori himself is, along with Abe no Seimei, the widely-acclaimed founder and originator of onmyodo. By now, it is already becoming known that the Abe family are the masters of divination and astrology, while the Kamo are the masters of the less prestigious, but more practical, calender-keeping.
Growing up with Kamo no Kuroki, I learnt much of poetry, an exceedingly important skill in courtly matters, and may have received some instruction in calendar-keeping and onmyodo from my grandparents and uncles.

[ ]
Abe no Akiko, niece of the well known and famous onmyoji Abe no Seimei. She is known to be a serious-minded woman, well-versed in courtly life, and a desirable teacher for young women even among the highest-ranking Fujiwara families. Her uncle, Abe no Seimei, is without a doubt the greatest onmyoji of the era, who has cured the emperor himself. Along with the Kamo family, the Abe family is the greatest family of onmyoji, and the masters of Divination and astrology.
Growing up with Abe no Akiko, i likely had exposure to onmyodo and overtly supernatural events even at an early age, and may have had the chance to receive some instruction in onmyodo from the master himself, Abe no Seimei.

[ ]:
Fujiwara no Takako, also known as Murasaki Shikibu. Famed as a great writer, and lady-in-waiting to Empress Choshi, Murasaki is known to be humble and shy despite her obvious skill and her friendship with the empress, as well as the empress' father, Fujiwara no Michinaga. The Fujiwara family is, without question, the most powerful family at court, and growing up in Murasaki's household, I had the opportunity to make friends with the children of other powerful families, including the imperial family itself, and received an excellent literary education, and a family able to pull some very important strings if needed.

[ ]:
Fujiwara no Sora, the third child of a minor official from a weak branch of the Fujiwara family. Sora is known to be fairly flirtatious and immodest, but also a skilled poet and dancer. She has managed to gain the position of first assistant to the chief sake maker, making her responsible for overseeing the creation of the sake for the imperial household.
Growing up in Sora's household, I got experience with the inner workings of palace life, and experience with the many nights of drunken revelry that happened there, and the opportunity to befriend the children of some powerful families, though not family connections of most Fujiwaras, nor much connection to the imperial family itself.

[ ]:
Kiyohara no Nagiko, also known as Sei Shonagon. A famous poet, courtier and lady-in-waiting. Sei Shonagon is famous for her wit, reparté, sensitivity and worldliness, the ideal picture of what a witty and fashionable courtier should be, but also famed for her haughtiness, arrogance and sarcasm. While she is from a family of middling rank, her skill and wit have made her one of the most attractive and admired courtiers, and she is known to be beloved by the Empress Teishi, who she is a lady-in-waiting for.
Growing up in Sei Shonagon's household, I had the chance to make connections among the upper nobility, but i also earned myself a fair share of my mother's enemies, and, of course, a mother who can bend the ears of an empress.

[ ]:
Urabe no Yukiko, a courtier of low status. The Urabe family works closely with various shrines and is a staunch defender of traditional Japanese religion over the currently ascendant Buddhism. My mother, Yukiko, is a courtier of little influence, but a highly religious one, marred by some catastrophe in her early life.
Growing up in Yukiko's household would be fairly modest for an aristocrat, but I would be well-acquainted with the various native Japanese deities, and familiar with all the local shrines, and though of little political influence, likely have significant contacts there.


Who is your father?
[ ]:

Kamo no Mitsuyoshi, Senior Fifth Rank, Upper grade, Tenmon Hakase. The son of the famous Kamo no Yasunori, and the second-highest ranked onmyoji in the country, second only to Seimei. He is known to be exceptionally skilled in divination and calender-keeping, and a very busy person, being a leader at the Onmyoryo, the bureau of divination and ying/yang studies, and being responsible for the oversight of the Kamo shrine.
As Kamo no Mitsuyoshi's son, I am expected to learn onmyodo, of course, and to join him at the Onmyoryo once I complete my studies. I am also certain of a minimum rank of junior sixth rank, lower grade. I also stand to inherit, or at least have a good chance of renewing, any supernatural alliances and feuds my father may be involved in, though they are likely to be rather slight.
And, of course, I will be following in the footsteps of the Kamo family, and have connections in the Onmyoryo as well as the local shrines connected to the Kamo shrine.

[ ]:
Abe no Yoshihara, Senior Fifth Rank, Lower grade, Onmyo no Suke. Abe no Seimei's son. A skilled, dutiful and diligent onmyoji. Said to be particularly skilled at astrology, as well as exorcisms and other ritual and spellcasting arts. Despite his rank and his busy life, he is known to have a carefree disposition and to enjoy the company of more high-ranked ladies of court than one would think of a public servant.
As Abe no Yoshihara's son, i am expected to learn onmyodo, and to join him at the Onmyoryo once i finish my studies. I am also certain of a minimum rank of Junior Sixth Rank, lower grade. As a member of the Abe family, I will also be inheriting both my father and, especially, my grandfather's supernatural alliances and feuds, which are known to involve the gods of heaven themselves. I will also have connections within the Onmyoryo, and access to the very best teaching materials and teachers possible for a young onmyoji.

[ ]:
Minamoto no Tsurayuki, Senior Third Rank, first Assistant to the minister of the military. A part of the war-like Minamoto family, Minamoto no Tsurayuki is known to be a skilled warrior - which in court culture paints him as unrefined and undignified - and a forceful leader of men. While his uncouth profession, and not being a Fujiwara, would usually block his further ascension, Tsurayuki's military conquests, his forceful and charismatic personality, and him making overtures towards Fujiwara no Michinaga, the well-known and publicly acknowledged power behind the throne, does have people whispering in the corridors that if he plays his cards right, he might end up the minister of the military.
As Minamoto no Tsurayuki's son, I am expected to become a leader of the Minamoto clan, to become a leader and commander of warriors and make my name on the field as well as in court. I also have a claim to a minimum rank of Senior Fifth Rank, Lower Grade. If I do follow those expected paths, any warrior skills I do acquire will also lower my status somewhat at court.

[ ]:
Minamoto no Minoru, Senior Sixth Rank, Lower Grade, second assistant to the imperial court musician. From a promising branch of the Minamoto family, Minamoto no Minoru has wasted his opportunities on drink and dalliance. He is considered to be easy on the eyes among court ladies, and is skilled at music, which has won him the position of Uta No Sakan, alternate court musician, the fourth or fifth position under the Chief Court Musician.
As his son, or rather, as his father's grandson, I am entitled at a rank of Junior sixth Rank, Lower Grade, and there are no real expectations set for me except to learn music and hopefully surpass my father. As my father's son I have easy access to court, and a good chance to learn music, but few other advantages.

[ ]:
Taira no Asuka, senior fourth rank, Lower Grade, chief acupuncturist of the Imperial household. A learned and introspective man, known to write simpler poetry than is in fashion in the Heian court, and to drink only very little. While he had affairs and girlfriends in his youth, as all gentlemen do, he has only a single wife and is not known to have had an affair in more than a decade, which is rather strange for a gentleman of his rank. Formerly chief physician of the Imperial household.
As his son, I am expected to learn medicine and acupuncture, and to serve in some way in the ministry of the imperial household. Considering my father's disdain for revelry and his lack of female attention, I may also have had a more attentive father than many other young aristocratic boys. Because of my father's rank, i have a minimum rank of Senior Sixth Rank, Upper Grade.

[ ]:
Sugawara no Mushi, Senior Seventh rank, Lower Grade, senior secretary to the Bureau of Education. A devout Buddhist, and a poet and author of some minor fame. A quiet and efficient public servant with a quick mind and a love of learning. Likely to rise a few grades more, perhaps as high as junior fifth rank if he is lucky, but unlikely to rise much higher. Well-liked by his family, which has some influence in the Bureau of Education, owing particularly to the much-accomplished Sugawara no Michizane, who some have taken to honoring as the very god of learning these last few decades under the name Tenjin.
As Sugawara no Mushi's son, I am not entitled to any rank, and I am not allowed to attend university. That said, I may gain rank through passing public tests and family ties. Not to mention that I will grow up with access to some of the very best education around, possibly even slightly Illegitimate access to university through family connections, and being the great great grandson of Tenjin, the god of wisdom and learning.

_______________________________________________________________

Welcome to Onmyoji Monogatari! Don't worry if things are confusing, I'll explain the strange world of the heian era court in detail as we go along, and always feel free to ask question. I'm running the quest freeform, but i might involve a die here and there if i can't decide or if you vote for something very risky.
As for voting, we're using approval voting. What is approval voting? approval voting is simple: you can vote for as many things as you like, and all votes are counted. If you like both the first, second and 4th options, but not the third, vote for the first, second and fourth. If you like the first option and the 4th option, vote for those. Etc. etc. That's it. Write-in votes are fine, and you can choose to change your vote as you want.

One more thing: i originally did this thing on SA, but it succumbed to the curse. At the time, i was not alone - CatHerder and JesterOfAmerica were helping me do the research and find images and so. I'm doing it alone this time, but i am obviously using images and research and stuff they helped me find.
Adhoc vote count started by Magnusth on Feb 26, 2019 at 10:05 AM, finished with 6 posts and 5 votes.

  • [X] Urabe no Yukiko
    [X] Kamo no Mitsuyoshi
    [X] Fujiwara no Takako
    [X] Abe no Akiko
    [X] Abe no Yoshihara
    [X] Taira no Asuka
    [X] Kamo no Kuroki
    [X] Fujiwara no Takako
    [X] Urabe no Yukiko
    [X] Abe no Yoshihara
    [X] Taira no Asuka
    [X] Fujiwara no Takako
    [x] Minamoto no Tsurayuki
    [X]: Fujiwara no Sora
    [X] Kamo no Mitsuyoshi

Adhoc vote count started by Magnusth on Feb 26, 2019 at 10:06 AM, finished with 6 posts and 5 votes.

Adhoc vote count started by Magnusth on Feb 26, 2019 at 11:02 AM, finished with 10 posts and 8 votes.

Adhoc vote count started by Magnusth on Feb 26, 2019 at 2:26 PM, finished with 15 posts and 12 votes.

Adhoc vote count started by Magnusth on Feb 26, 2019 at 3:35 PM, finished with 19 posts and 13 votes.

Adhoc vote count started by Magnusth on Feb 26, 2019 at 4:49 PM, finished with 21 posts and 14 votes.

Adhoc vote count started by Magnusth on Feb 26, 2019 at 9:32 PM, finished with 21 posts and 14 votes.

Adhoc vote count started by Magnusth on Feb 27, 2019 at 8:31 AM, finished with 23 posts and 16 votes.

Adhoc vote count started by Magnusth on Mar 1, 2019 at 12:59 AM, finished with 6 posts and 4 votes.

  • [X]: Chinese and the reading of chinese classics. While chinese is no longer quite so fashionable as it was a century ago, it is still an expected skill of young noblemen like you. Reading dusty chinese books on philosophy, ying/yang science, the five elements and buddhism is also a required and necessary skill in the study of onmyodo.
    [X]: Poetry and art. While not a major focus of your studies, every young man of good birth is required to learn how to compose beautiful poems, which form the basis of nearly every form of formal social interaction, from courtship to seeking allies to simply connecting with friends.
    [X]: The rituals of summoning and communing with spirits and ghosts. These allow a practitioner to speak with hidden or trapped spirits, and summon forth gods and spirits to help with a particular task, and even bind them as shikigami, a role somewhere between patron spirit and familiar. While communing with spirits is a necessary part of nearly every Onmyoji's life and work, the summoning of spirits is a tightly controlled practice, and misuse of it in the form of necromancy or other improper acts can result in severe censure from the Onmyoryo, the bureau of divination.
    [X]: Calligraphy and writing. Writing beautifully is very important in heian society, and it is believed that a person's character and soul can be seen in their skill at calligraphy. A letter written in beautiful characters will always matter more than a letter that is merely functional; and a poem, ugly written, will be considered far beneath a lesser poem, beautifully written.
    [X]: The preparation and blessing of ofuda and omamori, small paper talismans used for blessing, protection, good luck, sealing away and a number of other uses. Onmyoji may also use them as part of rituals of banishment, exorcism and other spells. This involves very carefully, and beautifully, writing the correct prayers and mantras on paper or silk talismans, and blessing them with rituals and the invocation of the right divine spirits and patrons. That said. The training itself consists mostly of writing the same prayers and mantras over and over and over again, focusing on their meaning, as well as studying the rituals of their blessing and empowerment.
    [X]: The study of ying-yang theories and five elements lore. These are abstract, difficult and technical subjects, but are necessary for the most advanced forms of divination, and underlie and support all other subject an onmyoji is supposed to master. In practice, it requires a lot of reading and understanding of complicated texts on metaphysics and philosophy, and he use of sliding chinese instruments of divination, the full use of which can take a lifetime to master.

Adhoc vote count started by Magnusth on Mar 3, 2019 at 4:06 PM, finished with 32 posts and 18 votes.

  • [X]: Poetry and art. While not a major focus of your studies, every young man of good birth is required to learn how to compose beautiful poems, which form the basis of nearly every form of formal social interaction, from courtship to seeking allies to simply connecting with friends.
    [X]: The rituals of summoning and communing with spirits and ghosts. These allow a practitioner to speak with hidden or trapped spirits, and summon forth gods and spirits to help with a particular task, and even bind them as shikigami, a role somewhere between patron spirit and familiar. While communing with spirits is a necessary part of nearly every Onmyoji's life and work, the summoning of spirits is a tightly controlled practice, and misuse of it in the form of necromancy or other improper acts can result in severe censure from the Onmyoryo, the bureau of divination.
    [X]: Calligraphy and writing. Writing beautifully is very important in heian society, and it is believed that a person's character and soul can be seen in their skill at calligraphy. A letter written in beautiful characters will always matter more than a letter that is merely functional; and a poem, ugly written, will be considered far beneath a lesser poem, beautifully written.
    [X]: The preparation and blessing of ofuda and omamori, small paper talismans used for blessing, protection, good luck, sealing away and a number of other uses. Onmyoji may also use them as part of rituals of banishment, exorcism and other spells. This involves very carefully, and beautifully, writing the correct prayers and mantras on paper or silk talismans, and blessing them with rituals and the invocation of the right divine spirits and patrons. That said. The training itself consists mostly of writing the same prayers and mantras over and over and over again, focusing on their meaning, as well as studying the rituals of their blessing and empowerment.
    [X]: Chinese and the reading of chinese classics. While chinese is no longer quite so fashionable as it was a century ago, it is still an expected skill of young noblemen like you. Reading dusty chinese books on philosophy, ying/yang science, the five elements and buddhism is also a required and necessary skill in the study of onmyodo.
    [x]: Divination by way of the stars, that is, astronomy and astrology. By observing the stars, using astronomical tools like a bronze armillary sphere, and referring to books on astronomy, I learned to predict the future for people, places, families, and the world in general. This is an exceedingly technical skill, moreso than a purely mystical one, but is nevertheless of the more commonly used skills among onmyoji, as divination of every kind is in high demand at the Heian courts.
    [X]: Meditation and breathing exercises aimed at honing and expanding your mind, and making you more aware of supernatural energies and spirits. The exercises als focus on calming you down, and sorting through your emotions and thoughts to clear your mind and focus your will. While not all onmyoji deal with demons directly, your father emphasizes that if you plan on doing so, you will need a strong will and the ability to keep your mind clear from the lies of evil, deceitful spirits.
    [X]: The study of ying-yang theories and five elements lore. These are abstract, difficult and technical subjects, but are necessary for the most advanced forms of divination, and underlie and support all other subject an onmyoji is supposed to master. In practice, it requires a lot of reading and understanding of complicated texts on metaphysics and philosophy, and he use of sliding chinese instruments of divination, the full use of which can take a lifetime to master.
    [x]: Calculation and memorization of the stars and planets, their meanings, and their relations to the days and the calendar. This includes some math and astronomy, at a very basic level, yet, but also a large amount of rote memorization and repetition, skills that will be useful in any art you might study later. Calender keeping is also important in choosing the right day for important court rituals, life rituals, and the magico-religious rituals of Onmyodo.
    [x]: The study of the sutras, the buddhist holy texts. While not strictly a part of the arts of onmyodo, the sutras are still studied, as they contain great and useful wisdom, and their recitation can help banish demons and evil influences, which is among the skills required of an Onmyoji. Even with no relevance to your education, however, the sutras would still be studied, as they are the best source on ethics and the nature of the world and the divine wisdom of the buddhas.
    [x]: The recitation of holy mantras and the use of mudras, holy gestures with one or both hands, to repel and defeat evil spirits, demons, ghost and other monsters. This means learning and training to use a large number of gestures, including the nine symbolic cuts, a set of syllables and mantras, as well as their associated mudras, specific sutras and prayers for a variety of different kinds of ghost and demons and other circumstance. As i studied, however, my father warned by that many of these could be dangerous to use if i was underprepared or used one which was too advanced or too powerful for me to handle.
    [X]: The study and use of Harae, rituals of cleansing and land-quelling. These are among the most important skills of an onmyoji. Harae dispel curses and bad fortune, and cleanse places and people tainted by evil or disease; people who've just recovered from illness or have been otherwise made impure, or places where people have been sick, died, or where crimes and sin have been committed. They are also used to cleanse and repel evil energies and misfortune from new or unused places, such as a new wing of a building, or a home no one has lived in for some time; these rituals are important for the spiritual well-being of people and the proper order of society.
 
Last edited:
Ooh, the Heian Period. Definitely don't see this one too often in Western stuff.

[X] Kamo no Kuroki
[X] Fujiwara no Takako
[X] Urabe no Yukiko

[X] Abe no Yoshihara
[X] Taira no Asuka

Kamo no Kuroki, the daughter of Kamo no Yasunori. Kuroki herself is a poet and author, a courtier of middling rank, but some fame. In her youth, she suffered a horrific pox, a curse brought on by the enemies of her father. As the daughter of Kamo no Yasunori, she is born into one of the foremost onmyoji families, as Kamo no Yasunori himself is, along with Abe no Seimei, the widely-acclaimed founder and originator of onmyodo. By now, it is already becoming known that the Abe family are the masters of divination and astrology, while the Kamo are the masters of the less prestigious, but more practical, calender-keeping.
Growing up with Kamo no Kuroki, I learnt much of poetry, an exceedingly important skill in courtly matters, and may have received some instruction in calendar-keeping and onmyodo from my grandparents and uncles.

In fact, Kamo no Yasunori (917-977) was the teacher of Abe no Seimei. Seimei would later succeed Yasunori's duties in astrology and divination for the court, while Yasunori's son inherited the lesser task of handling the calendar. For centuries after that, the Abe were controlled the government ministry for onmyōdō (called the Onmyōryō), while the Kamo were the hereditary keepers of the calendar.

As for Yasunori personally, he stars in one story of the Konjaku Monogatarishū ("Anthology of Tales from the Past"), where he accompanies his father (Kamo no Tadayuki) on an exorcism at age 10 and displays his talent by being able to see demons without any formal training. He's also a major character in the kabuki play Ashiya Dōman Ōuchi Kagami (A Courtly Mirror of Ashiya Dōman), where his death kicks off a conflict between Ashiya Dōman (who basically exists for no reason other than to be the evil villain of every story starring a "good" onmyōji in any Heian Period story ever) and Yasunori's disciple Abe no Yasuna (who is also Seimei's father) over who gets to inherit some divination book from China.

Our mother is Yasunori's second daughter; as is often the case, we don't know her actual name, so she's usually addressed as "Kamo no Yasunori no musume." She became a prolific poet with a good reputation, and her poetry was collected in a compilation known as the Kamo no Yasunori no Musume Shū. After her lifetime, though, her poetry faded in popularity; her works have continued to be republished, but never get as much attention as other notable women writers of the period.

Abe no Akiko, niece of the well known and famous onmyoji Abe no Seimei. She is known to be a serious-minded woman, well-versed in courtly life, and a desirable teacher for young women even among the highest-ranking Fujiwara families. Her uncle, Abe no Seimei, is without a doubt the greatest onmyoji of the era, who has cured the emperor himself. Along with the Kamo family, the Abe family is the greatest family of onmyoji, and the masters of Divination and astrology.
Growing up with Abe no Akiko, i likely had exposure to onmyodo and overtly supernatural events even at an early age, and may have had the chance to receive some instruction in onmyodo from the master himself, Abe no Seimei.

Never heard of her. Seimei, of course, is considered the undisputed grandmaster of onmyōdō in fiction, and is basically the closest thing Japan has to a Merlin analogue. One thing to note is that if we're the child of one of Seimei's children, that'll make us 1/8th kitsune through Seimei's mother, Kuzunoha.

Incidentally, the five-pointed star known in the West as a pentagram is recognized as the personal insignia of Seimei in Japan, where it is called a Seiman and represents the Five Elements and the Five Planets.

Fujiwara no Takako, also known as Murasaki Shikibu. Famed as a great writer, and lady-in-waiting to Empress Choshi, Murasaki is known to be humble and shy despite her obvious skill and her friendship with the empress, as well as the empress' father, Fujiwara no Michinaga. The Fujiwara family is, without question, the most powerful family at court, and growing up in Murasaki's household, I had the opportunity to make friends with the children of other powerful families, including the imperial family itself, and received an excellent literary education, and a family able to pull some very important strings if needed.

Murasaki Shikibu (973 or 978-1014 or 1031) was born to a less prosperous branch of the famous Fujiwara clan, though they still had a reputation as writers and scholars. She wrote the Genji Monogatari from around 1000 to 1012. Her personal name isn't known for certain, but she's usually believed to be the Fujiwara no Kaoruko mentioned in a court document dated to 1007. Heian women were normally excluded from learning to write in Chinese, as it was the written language of government business, but she showed an early aptitude and managed to acquire fluency and a mastery of the classics.

"When my brother ... was a young boy learning the Chinese classics, I was in the habit of listening to him and I became unusually proficient at understanding those passages that he found too difficult to understand and memorize. Father, a most learned man, was always regretting the fact: 'Just my luck,' he would say, 'What a pity she was not born a man!'"

In her mid to late 20s she was married to her much older second cousin, Fujiwara no Nobutaka (950-1001), and gave birth to a daughter named Katako (b. 999), who herself later became a notable poet known as Daini no Sanmi; her husband died in a cholera outbreak after only about two years of marriage.

In 1005 she was invited by Empress Shōshi to serve as a lady-in-waiting, probably because of her reputation as a writer. After five or six years of that she retired with Shōshi to the Lake Biwa region. Within a decade of its completion, the Genji Monogatari was being read throughout the provinces, and within the century it was recognized as a classic of Japanese literature and was already subject to scholarly analysis and criticism.

There's a lot of interesting stuff to say about Murasaki Shikibu personally, mostly stuff gleaned through fragments of her personal diary, but that's something for another time.

Kiyohara no Nagiko, also known as Sei Shonagon. A famous poet, courtier and lady-in-waiting. Sei Shonagon is famous for her wit, reparté, sensitivity and worldliness, the ideal picture of what a witty and fashionable courtier should be, but also famed for her haughtiness, arrogance and sarcasm. While she is from a family of middling rank, her skill and wit have made her one of the most attractive and admired courtiers, and she is known to be beloved by the Empress Teishi, who she is a lady-in-waiting for.
Growing up in Sei Shonagon's household, I had the chance to make connections among the upper nobility, but i also earned myself a fair share of my mother's enemies, and, of course, a mother who can bend the ears of an empress.

Sei Shōnagon (966-1017 or 1025) is another woman whose actual personal name isn't known for sure; Nagiko is just the most popular of the possibilities. Similar to Murasaki Shikibu, her family were mid-ranking courtiers who weren't exactly rolling in cash, but had a reputation as scholars; her father, in fact, is Kiyohara no Motosuke (908-990), designated as one of the "36 Poetry Immortals."

At age 16 she married Tachibana no Norimitsu and gave birth to a son named Norinaga. In 993, at age 27, she began serving Empress Teishi and may have been divorced. What she did after her court service ended is unknown; some sources say that she married Fujiwara no Muneyo and had a daughter called Koma no Myobu, but others suggest she became a Buddhist nun.

Her famous work is The Pillow Book, a collection of lists, gossip, poetry, observations and complaints, part of a genre known as zuihitsu ("follow the brush"). The Pillow Book was circulated at court, and for several hundred years existed in handwritten manuscripts. First printed in the 17th century, it exists in different versions: the order of entries may have been changed by scribes with comments and passages added, edited, or deleted. Four main variants of the text are known to modern scholars.

You may or may not be aware, but she and Murasaki Shikibu were acquainted, and both express dislike for the other in their writing, though both also concede the other's genuine talent.

Urabe no Yukiko, a courtier of low status. The Urabe family works closely with various shrines and is a staunch defender of traditional Japanese religion over the currently ascendant Buddhism. My mother, Yukiko, is a courtier of little influence, but a highly religious one, marred by some catastrophe in her early life.
Growing up in Yukiko's household would be fairly modest for an aristocrat, but I would be well-acquainted with the various native Japanese deities, and familiar with all the local shrines, and though of little political influence, likely have significant contacts there.

The only "Urabe" I know of is Urabe no Suetake (950-1022), one of the "Four Guardian Kings" in the service of Minamoto no Yorimitsu a.k.a. Raikō, alongside the likes of Sakata no Kintoki.
 
Ooh, the Heian Period. Definitely don't see this one too often in Western stuff.

[X] Kamo no Kuroki
[X] Fujiwara no Takako
[X] Urabe no Yukiko

[X] Abe no Yoshihara
[X] Taira no Asuka



In fact, Kamo no Yasunori (917-977) was the teacher of Abe no Seimei. Seimei would later succeed Yasunori's duties in astrology and divination for the court, while Yasunori's son inherited the lesser task of handling the calendar. For centuries after that, the Abe were controlled the government ministry for onmyōdō (called the Onmyōryō), while the Kamo were the hereditary keepers of the calendar.

As for Yasunori personally, he stars in one story of the Konjaku Monogatarishū ("Anthology of Tales from the Past"), where he accompanies his father (Kamo no Tadayuki) on an exorcism at age 10 and displays his talent by being able to see demons without any formal training. He's also a major character in the kabuki play Ashiya Dōman Ōuchi Kagami (A Courtly Mirror of Ashiya Dōman), where his death kicks off a conflict between Ashiya Dōman (who basically exists for no reason other than to be the evil villain of every story starring a "good" onmyōji in any Heian Period story ever) and Yasunori's disciple Abe no Yasuna (who is also Seimei's father) over who gets to inherit some divination book from China.

Our mother is Yasunori's second daughter; as is often the case, we don't know her actual name, so she's usually addressed as "Kamo no Yasunori no musume." She became a prolific poet with a good reputation, and her poetry was collected in a compilation known as the Kamo no Yasunori no Musume Shū. After her lifetime, though, her poetry faded in popularity; her works have continued to be republished, but never get as much attention as other notable women writers of the period.



Never heard of her. Seimei, of course, is considered the undisputed grandmaster of onmyōdō in fiction, and is basically the closest thing Japan has to a Merlin analogue. One thing to note is that if we're the child of one of Seimei's children, that'll make us 1/8th kitsune through Seimei's mother, Kuzunoha.

Incidentally, the five-pointed star known in the West as a pentagram is recognized as the personal insignia of Seimei in Japan, where it is called a Seiman and represents the Five Elements and the Five Planets.



Murasaki Shikibu (973 or 978-1014 or 1031) was born to a less prosperous branch of the famous Fujiwara clan, though they still had a reputation as writers and scholars. She wrote the Genji Monogatari from around 1000 to 1012. Her personal name isn't known for certain, but she's usually believed to be the Fujiwara no Kaoruko mentioned in a court document dated to 1007. Heian women were normally excluded from learning to write in Chinese, as it was the written language of government business, but she showed an early aptitude and managed to acquire fluency and a mastery of the classics.

"When my brother ... was a young boy learning the Chinese classics, I was in the habit of listening to him and I became unusually proficient at understanding those passages that he found too difficult to understand and memorize. Father, a most learned man, was always regretting the fact: 'Just my luck,' he would say, 'What a pity she was not born a man!'"

In her mid to late 20s she was married to her much older second cousin, Fujiwara no Nobutaka (950-1001), and gave birth to a daughter named Katako (b. 999), who herself later became a notable poet known as Daini no Sanmi; her husband died in a cholera outbreak after only about two years of marriage.

In 1005 she was invited by Empress Shōshi to serve as a lady-in-waiting, probably because of her reputation as a writer. After five or six years of that she retired with Shōshi to the Lake Biwa region. Within a decade of its completion, the Genji Monogatari was being read throughout the provinces, and within the century it was recognized as a classic of Japanese literature and was already subject to scholarly analysis and criticism.

There's a lot of interesting stuff to say about Murasaki Shikibu personally, mostly stuff gleaned through fragments of her personal diary, but that's something for another time.



Sei Shōnagon (966-1017 or 1025) is another woman whose actual personal name isn't known for sure; Nagiko is just the most popular of the possibilities. Similar to Murasaki Shikibu, her family were mid-ranking courtiers who weren't exactly rolling in cash, but had a reputation as scholars; her father, in fact, is Kiyohara no Motosuke (908-990), designated as one of the "36 Poetry Immortals."

At age 16 she married Tachibana no Norimitsu and gave birth to a son named Norinaga. In 993, at age 27, she began serving Empress Teishi and may have been divorced. What she did after her court service ended is unknown; some sources say that she married Fujiwara no Muneyo and had a daughter called Koma no Myobu, but others suggest she became a Buddhist nun.

Her famous work is The Pillow Book, a collection of lists, gossip, poetry, observations and complaints, part of a genre known as zuihitsu ("follow the brush"). The Pillow Book was circulated at court, and for several hundred years existed in handwritten manuscripts. First printed in the 17th century, it exists in different versions: the order of entries may have been changed by scribes with comments and passages added, edited, or deleted. Four main variants of the text are known to modern scholars.

You may or may not be aware, but she and Murasaki Shikibu were acquainted, and both express dislike for the other in their writing, though both also concede the other's genuine talent.



The only "Urabe" I know of is Urabe no Suetake (950-1022), one of the "Four Guardian Kings" in the service of Minamoto no Yorimitsu a.k.a. Raikō, alongside the likes of Sakata no Kintoki.

Ah, a fellow huge nerd! Excellent!
As you note, some - but definately not most - of these characters are actual, historical charaacters. Plenty of them are not, however, because i don't have, or care to have, lists of every noble in the heian court, or because i needed characters with certain connections and just made them up. The families, their positions, the ranks and so on, however, are all historical; there were, in fact, female first alternate to the chief sake-brewer, and the Urabe family was an actual family serving mostly as priests and scholars of shinto, or rather, of traditional japanese religion, and so on. Also, and this goes for everyone: feel free to ask questions if you want things clarified.
 
[X] Kamo no Kuroki
[X] Abe no Akiko
[X] Fujiwara no Takako
[X] Abe no Yoshihara

I must say, that's quite the amount of detail put into here, you definetly deserve some props for that.
 
Last edited:
[X] Fujiwara no Takako
[X] Abe no Yoshihara

The known wit and intellectual aptitude of the famed Murasaki Shikibu(Assuming we inherit her unusual knack for learning), combined with the bloodline of the man oft known as 'Japan's Merlin'? how could I not go for this kinda option?! sure, Seimei's Blood will likely bring us no end of trouble, but in this era and the fact that we're SV, we'll be looking for it anyways. :tongue:
 
Thanks thats much better.
Mind if I ask the source for this one?

It looks strange to me in that most of the square sections seem to be empty so I'd like to get a better understanding of what I'm looking at.
It's a bird's eye view of ancient kyoto aka Heian. I'm not sure why most of the squares are empty either, but it's probably just that we're not quite sure where everything is - we don't have any very good preserved maps afaik, only early plans and drawing for how the city would look, and we know it didn't follow those precisely, and also the city burned down, so people are working from various sources and archeology. To be honest, i mostly chose that particular picture because i thought it looked best.
Something like this is probably the best alternative, and it's full of annoyint text:
 
*stares* This quest intrigues me, but right now I lack the patience to sort through the options. So I post now, so that I might return, hopefully before voting ends here and come up with an opinion of what I wish.
 
Second update

You grew up in blessed, luxurious surroundings. From your earliest years, all you remember is your mother and your wet nurse singing softly, and warmth of their embrace. One of the earliest things you can remember, properly remember, is your mother stroking your hair and singing to you as one night you had been crying. That was rare, your mother paying you that kind of attention, and you enjoyed it greatly.

Your name would change, later, as you grew, but what were you called in these early years?

[ ]:
Write-ins only

Most else of what you remember is playing in the gardens under the supervision of the nurse, Jun-san, or sometimes her husband, Jun-san. Later, you learned that these were the given names, their family names being Suzuki and Ueno.
Usually, your caretakers would just take you to the small garden just behind your mother's wing of the palace, where you could run around and play, often with the children of other ladies in waiting and other women serving at the palace.


Now and then, however, they would take you to other parts of the palace gardens. To a small pond of ducks - ducks that, however cleverly you tried to escape, Jun-san and Jun-san would never let you go near. Or to a garden of plum trees where you might get a tasty plum as you run and play, or to a small grove of trees where you and other children played hide-and-seek among the shadows.

Most days, whether in the gardens behind your home or elsewhere in the palace gardens, your older sister, Katako, would go with you. Not always in the mornings, as she had to sit and learn numbers and letters then, but later, she would join you and your minders. She doesn't care much to play with her stupid little brother, preferring to play with girls and boys her own age, but she would sometimes spend time with you, and she often smuggled sweet and sour fruits and pastries filled with sweet bean paste.


On rare occasions, your mother would take you with you as she went to see secluded part of the imperial gardens, or even outside of them, to enjoy beautiful sights and write her poetry. She would sit and write as Jun-san or Jun-san kept you and your sister busy with games and toys, taking breaks to eat with you and your sister. Sometimes your sister would ask her questions about poetry, questions you were too young to really understand, or even show her how to write some characters and teach her to speak some Chinese.

The only other adult who wasn't a servant or a lady in waiting to your mother was a man who often came to visit her, Abe no Yoshihara. He would come a few times a month and chant and make strange motions and give all the household amulets and talismans to keep evil things away. Sometimes he would stay a bit and talk to you, asking you things. He usually had gifts with him, pastries and toys and pretty folded birds. When you asked Jun-san who he was, she told you that he was your father, and a powerful priest who was friends with the powerful people in heaven, and kept the monsters away from the house.

Not long after your first birthday, you also began receiving lessons, just like your sister had. Suzuki no Jun-san, your nursemaid, would sit you down in a room and explain court life and proper manners to you. She made you practice bowing right, and greeting adults right. She told of you all the court rituals you would have to participate in, and practiced them with you to teach you how you should behave in them when the day comes; she taught you how to speak to other children, how to ask servants for things, who to call kun, who to call san, and many other things of that nature. While she was normally kind and gentle, as a teacher, she was much stricter, often forcing you to sit for a long time repeating things or trying them again and again and again.

At other times, Ueno no Jun-san, her husband, would take over. At first, he taught you ethics and Buddhism; what's good and what's bad, what a buddha is, and why you should listen to your parents and your elders. When you got a bit older, he also began teaching you letters, numbers, and history. Nothing advanced, but the basics of how to write, how to do simple math, and how to read and recite from the holy sutras.
While normally a fussy worrywart, as a teacher, Jun-san was always kind and patient, explaining things as many times as needed, giving you plenty of breaks, and rewarding you with dried fruits when you mastered difficult things.

In those early days, friendships created here would last you the rest of your life. A place as prosperous as the royal court has scores of children around to spend your time with.

Who were the children you spent your time around?

[ ]:K
atako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.

[ ]: Junpei and Akira, courtiers' children, life in the imperial palace insured that there was no shortage of children from other families. As suh I had no trouble meeting others

[ ]: Servants' children, whether my family approved or not, I found a way to meet with the children who were not as lucky to be born into a noble family.

[ ]: Palace Attendants' children, always found in the corners of the palace the attendants' children should me places I could not believe were in the palace.

[ ]: Imperial Children, thanks to my mother's status I had plenty of opportunity to me with the Emperor's children, and in doing so saw first hand the power of the Imperial Family.

[ ]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.

In these early years, even as you kept growing out of your robes year after year, your education did not quite take up all of your time. When you weren't learning, you could often be found in the gardens, playing with others. But even so, while you had to spend some time in the sun with other children and playing, you had a little control over some of your spare time.

How did you use that time?
[ ]:
I studied poetry with my mother. Poetry is a huge part of Heian court life, from simple letters to each other, to competitions held by the Emperor, to racy love poems. Many of my lessons consisted of reading or hearing half a poem and responding with the rest of it. I learned Chinese as well as Japanese poetry; Chinese things are very fashionable, and I'll be expected to have a background in it.

[ ]: I studied music, or started to, anyway. I learned the basics of the flute, the koto, the biwa, and the shamisen, and listened to songs popular in court. Music isn't quite as popular as poetry, but it's very popular nonetheless. Ueno no Jun-san was responsible for teaching me music.

[ ]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.

[ ]: I played a lot of kemari, a game involving kicking a leather ball around with friends with the goal of not letting it touch the ground. It's not as easy as it sounds, but it trains my coordination and I made several friends among the children at court. Grown men at court have refined kemari into an art, though I haven't decided yet if I want to go that far with it.

[ ]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.

[ ]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.

[ ]: I spent my time at the Shingon-in, the only temple in the palace complex, and just outside of the inner palace complex, where i lived and spent most my time. The monks and priests there were happy to have me around as long as i don't caused trouble, and would tell me stories of the great buddha. There's a lot to do every day in the shingon-in, however, and i would often just sit in the corner of a yard or room and listen to monks recite sutras and mantras. It was a holy peaceful way place for me to find some breathing room. This would be seen as less odd than L, as Buddhism is greatly more respected in this time.

You may ask questions of your mother and caretaker, assuming those are questions a preschooler could reasonably ask.
Adhoc vote count started by Magnusth on Feb 27, 2019 at 3:38 PM, finished with 33 posts and 5 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.

Adhoc vote count started by Magnusth on Feb 27, 2019 at 4:06 PM, finished with 35 posts and 20 votes.

Adhoc vote count started by Magnusth on Feb 27, 2019 at 4:06 PM, finished with 12 posts and 8 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X] Hikaru
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.

Adhoc vote count started by Magnusth on Feb 28, 2019 at 8:54 AM, finished with 40 posts and 20 votes.

Adhoc vote count started by Magnusth on Feb 28, 2019 at 8:54 AM, finished with 16 posts and 10 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.
    [X] Hikaru

Adhoc vote count started by Magnusth on Feb 28, 2019 at 11:52 AM, finished with 18 posts and 12 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.
    [X] Hikaru

Adhoc vote count started by Magnusth on Feb 28, 2019 at 1:33 PM, finished with 18 posts and 12 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.
    [X] Hikaru

Adhoc vote count started by Magnusth on Feb 28, 2019 at 3:11 PM, finished with 18 posts and 12 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.
    [X] Hikaru

Adhoc vote count started by Magnusth on Feb 28, 2019 at 3:16 PM, finished with 18 posts and 12 votes.

  • [X]: The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.
    [X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.
    [X]: Kogitsunemaru
    [X]: I spent my time at the Chuwain, an enclosed area of religious buildings for the worship of the emperor's family and the great Amaterasu-Omikami, the great august god who shines in heaven, and the ancestor of the imperial family. While i couldn't run around as i pleased, the priests there were happy enough to have me around while i didn't make trouble, and often told me stories or explained religious ritual to me. This would have been seen as a bit odd for a boy my age, but no problem. It was a holy and peaceful place to me to find some breathing room.
    [X]: I played a lot of Go, which is very popular in court. Usually I played it with children my age, but occasionally, my father would sit down and play a game with me. I've learned to be flexible but determined from my games, skills that will be valuable to me when I'm older. The stakes at this age are usually low, little pebbles or sweets, but it's not unheard of for adults to play very serious, high-stakes games of Go.
    [X]:Takako and Nijama, my siblings, family always came first, and i made sure of that by spending as much time as i could around my sister.
    [X] Hikaru
 
Last edited:

[X]:
The Girl by The Lake, she is there nearly everyday, but no one seems to know who she is or where she came from, but she always has new things to show me.

[X]: I went exploring the palace and the palace gardens as far as i was able, often having to give my minders the slip to go somewhere I wasn't supposed to. Crawled under beautiful garden bushes, found hidden ponds, got in trouble in the palace kitchens, and generally ran all around the huge palace complex, getting to know it well, its many hidden nooks and hidden places. In doing so, I learnt a little about stealth and acrobatics, avoiding adults, climbing over fences and up trees, and a lot about the day-to-day going-ons in the palace and its hidden places, especially those outside.

Would have probably gone for Go expect I like that these two pair to explain how we met the Girl.
 
Back
Top